Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (xi, 338 Seiten) , Illustrationen, Karten, Notenbeispiele

ISBN: 9780520393196

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-520-39317-2

Language: English

Subjects: Ethnology

Keywords: Afrika ; Naher Osten ; Südasien ; Musikethnologie ; Diaspor ; Indischer Ozean ; Musik ; Netzwerk ; Musikethnologie ; Musiksoziologie ; Sound Studies ; Geschichte ; Konferenzschrift

DOI: 10.1525/luminos.160

DOI: 10.1525/9780520393196

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: kostenfrei

URL: Inhaltsverzeichnis

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Format: 1 online resource (354 p.)

Edition: 1st ed.

ISBN: 0-520-39319-8

Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be "heard" outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm-which has long cast Africa, the Middle East, and Asia as separate musical cultures-the book shows how music both forms and crosses boundaries in the Indian Ocean world.

Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction -- , Section One. Listeners -- , Section One. Listeners 1. "There is no modesty or shame in this city": What Bengalis Heard in Colonial Burma, c. 1900 -- , 2. A Feeling for the Boundaries: Sounding the Indian Ocean on the Swahili Coast -- , Section Two. Mobilities -- , 3. Swahili Covers, Sufi Prayers, and Liberation Hymns: Women's Mobilities in Competitive Tufo Dance Associations in Northern Mozambique -- , 4. An Untouchable Kīrtan: Sonic Liberation on the Andaman Islands -- , 5. Baloch Musical Repertoires and Culture Production in the Post-Maritime Gulf Metropolis -- , Section Three. Mediascapes -- , 6. Sonic Atmospheres in Mauritian Devotional Islam: Sensing Transoceanic Connections in a Creole Society -- , 7. Arabian Passings in Indian Ocean History: Troubadours, Technology, and the Longue Durée, 1656-1963 -- , Section Four. Communities -- , 8. Making Pilgrimage, Making Home: Sikh Sacred Soundings in Kenya -- , 9. Tracing the Indian Ocean at the Cape: Locating Performance and Writing Practices of the Cape Muslim Community -- , 10. Music and Citizenship: Using Siddi and Sheedi Musical Practices to Expand On Concepts of Belonging -- , Section Five. Connections -- , 11. Squinting at Greater India -- , 12. Transplanted Musics in a Plantation Society: Performing Arts on the Cocos (Keeling) Islands, 1826-1955 -- , 13. Káfriinha, Kaffringha, and the Bailasphere-Sri Lanka and Beyond -- , Conclusions -- , 14. Bandung 2.0: Audible Dakwah and the Performance of Indian Ocean Islam -- , Epilogue: Global Indian Ocean(s) and the Promise of a Decolonial World -- , Contributors -- , General Index , In English.

Additional Edition: ISBN 0-520-39317-1

Language: English

DOI: 10.1525/9780520393196

URL: lizenzpflichtig

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Format: 1 Online-Ressource

ISBN: 9780520393196 , 9780520393172

Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be "heard" outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm-which has long cast Africa, the Middle East, and Asia as separate musical cultures-the book shows how music both forms and crosses boundaries in the Indian Ocean world

Note: English

Language: Undetermined

URL: kostenfrei

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (354 p.)

Edition: 1st ed.

ISBN: 0-520-39319-8

Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be "heard" outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm-which has long cast Africa, the Middle East, and Asia as separate musical cultures-the book shows how music both forms and crosses boundaries in the Indian Ocean world.

Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction -- , Section One. Listeners -- , Section One. Listeners 1. "There is no modesty or shame in this city": What Bengalis Heard in Colonial Burma, c. 1900 -- , 2. A Feeling for the Boundaries: Sounding the Indian Ocean on the Swahili Coast -- , Section Two. Mobilities -- , 3. Swahili Covers, Sufi Prayers, and Liberation Hymns: Women's Mobilities in Competitive Tufo Dance Associations in Northern Mozambique -- , 4. An Untouchable Kīrtan: Sonic Liberation on the Andaman Islands -- , 5. Baloch Musical Repertoires and Culture Production in the Post-Maritime Gulf Metropolis -- , Section Three. Mediascapes -- , 6. Sonic Atmospheres in Mauritian Devotional Islam: Sensing Transoceanic Connections in a Creole Society -- , 7. Arabian Passings in Indian Ocean History: Troubadours, Technology, and the Longue Durée, 1656-1963 -- , Section Four. Communities -- , 8. Making Pilgrimage, Making Home: Sikh Sacred Soundings in Kenya -- , 9. Tracing the Indian Ocean at the Cape: Locating Performance and Writing Practices of the Cape Muslim Community -- , 10. Music and Citizenship: Using Siddi and Sheedi Musical Practices to Expand On Concepts of Belonging -- , Section Five. Connections -- , 11. Squinting at Greater India -- , 12. Transplanted Musics in a Plantation Society: Performing Arts on the Cocos (Keeling) Islands, 1826-1955 -- , 13. Káfriinha, Kaffringha, and the Bailasphere-Sri Lanka and Beyond -- , Conclusions -- , 14. Bandung 2.0: Audible Dakwah and the Performance of Indian Ocean Islam -- , Epilogue: Global Indian Ocean(s) and the Promise of a Decolonial World -- , Contributors -- , General Index , In English.

Additional Edition: ISBN 0-520-39317-1

Language: English

DOI: 10.1525/9780520393196

UID:

Format: 1 online resource (353 pages)

Edition: 1st ed.

ISBN: 9780520393196

Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be "heard" outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm--which has long cast Africa, the Middle East, and Asia as separate musical cultures--the book shows how music both forms and crosses boundaries in the Indian Ocean world.

Note: Intro -- Contents -- Acknowledgements -- Introduction -- Section One. Listeners -- Section One. Listeners 1. "There is no modesty or shame in this city": What Bengalis Heard in Colonial Burma, c. 1900 -- 2. A Feeling for the Boundaries: Sounding the Indian Ocean on the Swahili Coast -- Section Two. Mobilities -- 3. Swahili Covers, Sufi Prayers, and Liberation Hymns: Women's Mobilities in Competitive Tufo Dance Associations in Northern Mozambique -- 4. An Untouchable Kīrtan: Sonic Liberation on the Andaman Islands -- 5. Baloch Musical Repertoires and Culture Production in the Post-Maritime Gulf Metropolis -- Section Three. Mediascapes -- 6. Sonic Atmospheres in Mauritian Devotional Islam: Sensing Transoceanic Connections in a Creole Society -- 7. Arabian Passings in Indian Ocean History: Troubadours, Technology, and the Longue Durée, 1656-1963 -- Section Four. Communities -- 8. Making Pilgrimage, Making Home: Sikh Sacred Soundings in Kenya -- 9. Tracing the Indian Ocean at the Cape: Locating Performance and Writing Practices of the Cape Muslim Community -- 10. Music and Citizenship: Using Siddi and Sheedi Musical Practices to Expand On Concepts of Belonging -- Section Five. Connections -- 11. Squinting at Greater India -- 12. Transplanted Musics in a Plantation Society: Performing Arts on the Cocos (Keeling) Islands, 1826-1955 -- 13. Káfriinha, Kaffringha, and the Bailasphere-Sri Lanka and Beyond -- Conclusions -- 14. Bandung 2.0: Audible Dakwah and the Performance of Indian Ocean Islam -- Epilogue: Global Indian Ocean(s) and the Promise of a Decolonial World -- Contributors -- General Index.

Additional Edition: Print version: Sykes, Jim Sounding the Indian Ocean Berkeley : University of California Press,c2023 ISBN 9780520393172

Language: English

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 online resource (354 p.)

Edition: 1st ed.

ISBN: 0-520-39319-8

Content: A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be "heard" outside of a reliance on colonial archives and elite textual traditions, integrating methods from music and sound studies into the history and anthropology of the region. Challenging the area studies paradigm-which has long cast Africa, the Middle East, and Asia as separate musical cultures-the book shows how music both forms and crosses boundaries in the Indian Ocean world.

Note: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction -- , Section One. Listeners -- , Section One. Listeners 1. "There is no modesty or shame in this city": What Bengalis Heard in Colonial Burma, c. 1900 -- , 2. A Feeling for the Boundaries: Sounding the Indian Ocean on the Swahili Coast -- , Section Two. Mobilities -- , 3. Swahili Covers, Sufi Prayers, and Liberation Hymns: Women's Mobilities in Competitive Tufo Dance Associations in Northern Mozambique -- , 4. An Untouchable Kīrtan: Sonic Liberation on the Andaman Islands -- , 5. Baloch Musical Repertoires and Culture Production in the Post-Maritime Gulf Metropolis -- , Section Three. Mediascapes -- , 6. Sonic Atmospheres in Mauritian Devotional Islam: Sensing Transoceanic Connections in a Creole Society -- , 7. Arabian Passings in Indian Ocean History: Troubadours, Technology, and the Longue Durée, 1656-1963 -- , Section Four. Communities -- , 8. Making Pilgrimage, Making Home: Sikh Sacred Soundings in Kenya -- , 9. Tracing the Indian Ocean at the Cape: Locating Performance and Writing Practices of the Cape Muslim Community -- , 10. Music and Citizenship: Using Siddi and Sheedi Musical Practices to Expand On Concepts of Belonging -- , Section Five. Connections -- , 11. Squinting at Greater India -- , 12. Transplanted Musics in a Plantation Society: Performing Arts on the Cocos (Keeling) Islands, 1826-1955 -- , 13. Káfriinha, Kaffringha, and the Bailasphere-Sri Lanka and Beyond -- , Conclusions -- , 14. Bandung 2.0: Audible Dakwah and the Performance of Indian Ocean Islam -- , Epilogue: Global Indian Ocean(s) and the Promise of a Decolonial World -- , Contributors -- , General Index , In English.

Additional Edition: ISBN 0-520-39317-1

Language: English

DOI: 10.1525/9780520393196