Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource (xvii, 367 p. ) , ill., music ;

Edition: “A Philip E. Lilienthal Book” , Reprint 2020

ISBN: 0-520-91088-5 , 0-585-13064-7

Series Statement: ACLS Humanities E-Book

Content: The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play, Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives. Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media--records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.

Note: Bibliographic Level Mode of Issuance: Monograph , Front matter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Note on Transliteration -- , Introduction -- , 1. The Name of the NautankI -- , 2. Situating an Intermediary Theatre -- , 3. The Landscape of Premodern Performance -- , 4. Authors, Akhāṛās, and Texts -- , 5. Kings, Warriors, and Bandits -- , 6. Paradigms of Pure Love -- , 7. Women's Lives and Deaths -- , 8. Melody, Meter, and the Musical Medium -- , 9. Conclusion -- , Epilogue -- , The Kidnapping of Indal (lndal haran) -- , Appendixes -- , Notes -- , Bibliography -- , Index , Electronic text (HTML), image data (JPG), and audio clips (MP3). , Also available in print: ISBN 9780520072732. , English

Additional Edition: ISBN 0-520-07273-1

Language: English

DOI: 10.1525/9780520910881

UID:

Format: 1 online resource (xvii, 367 p. ) , ill., music ;

Edition: “A Philip E. Lilienthal Book” , Reprint 2020

ISBN: 0-520-91088-5 , 0-585-13064-7

Series Statement: ACLS Humanities E-Book

Content: The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play, Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives. Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media--records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.

Note: Bibliographic Level Mode of Issuance: Monograph , Front matter -- , Contents -- , List of Illustrations -- , Acknowledgments -- , Note on Transliteration -- , Introduction -- , 1. The Name of the NautankI -- , 2. Situating an Intermediary Theatre -- , 3. The Landscape of Premodern Performance -- , 4. Authors, Akhāṛās, and Texts -- , 5. Kings, Warriors, and Bandits -- , 6. Paradigms of Pure Love -- , 7. Women's Lives and Deaths -- , 8. Melody, Meter, and the Musical Medium -- , 9. Conclusion -- , Epilogue -- , The Kidnapping of Indal (lndal haran) -- , Appendixes -- , Notes -- , Bibliography -- , Index , Electronic text (HTML), image data (JPG), and audio clips (MP3). , Also available in print: ISBN 9780520072732. , English

Additional Edition: ISBN 0-520-07273-1

Language: English

DOI: 10.1525/9780520910881