Format:
Online Ressource (x, 310 pages)
,
illustrations
Edition:
Online-Ausg.
ISBN:
9780520921016
,
0520921011
,
0585263949
,
9780585263946
Content:
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas
Note:
Includes bibliographical references and index. - Description based on print version record
,
Painting at a Dead EndReady-Mades: (Non) sense and (Non) art -- Reproductions: Limited Editions, Ready-Made Origins -- Art and Economics: From the Urinal to the Bank -- Rendez-vous with Marcel Duchamp: "Given" -- Postscript: Duchamp's Postmodern Returns.
Additional Edition:
ISBN 0520213769
Additional Edition:
Druckausg. Judovitz, Dalia Unpacking Duchamp Berkeley, Calif. [u.a.] : University of California Press, 1995 ISBN 0520088093
Additional Edition:
Print version Unpacking Duchamp
Additional Edition:
Druckausg. Judovitz, Dalia Unpacking Duchamp Berkeley, Calif. [u.a.] : University of California Press, 1995 ISBN 0520088093
Language:
English
Subjects:
Art History
Keywords:
Duchamp, Marcel 1887-1968
;
Electronic books
URL:
Volltext
(lizenzpflichtig)
Author information:
Duchamp, Marcel 1887-1968
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