UID:
edoccha_9958221287602883
Format:
1 online resource (582 p.)
Edition:
Reprint 2020
ISBN:
0-520-92179-8
,
0-585-33256-8
Uniform Title:
Film quarterly.
Note:
Bibliographic Level Mode of Issuance: Monograph
,
Frontmatter --
,
CONTENTS --
,
ACKNOWLEDGMENTS --
,
INTRODUCTION --
,
PART ONE. EARLY DAYS --
,
BEIGE, BROWN, OR BLACK --
,
RECENT FILM WRITING --
,
PART TWO. THEORY --
,
TENSE, MOOD, AND VOICE IN FILM --
,
THE CRITIC AS CONSUMER --
,
YELLOW EARTH --
,
POPULAR CULTURE AND ORAL TRADITIONS IN AFRICAN FILM --
,
THE SUBVERSIVE POTENTIAL OF THE PSEUDO-ITERATIVE --
,
PART THREE. GENRE --
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NIGHTMARE AND THE HORROR FILM --
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HUMAN ARTIFICE AND THE SCIENCE FICTION FILM --
,
CONFESSIONS OF A FEMINIST PORN WATCHER --
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THE SACRAMENTS OF GENRE --
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HARDCORE --
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PART FOUR. DOCUMENTARY --
,
THE VOICE OF DOCUMENTARY --
,
NEWSREEL --
,
WHEN LESS IS LESS --
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MIRRORS WITHOUT MEMORIES --
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PART FIVE. TECHNOLOGIES --
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COLORIZATION --
,
MACHINES OF THE INVISIBLE --
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VIDEOPHILIA --
,
THROUGH THE LOOKING GLASSES --
,
TRUE LIES --
,
PART SIX. HISTORICAL REVISIONS --
,
STEPIN FETCHIT TALKS BACK --
,
FOOTNOTE TO THE HISTORY OF RIEFENSTAHL’S OLYMPIA --
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POWER AND DIS-INTEGRATION IN THE FILMS OF ORSON WELLES --
,
READING KANE --
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DESERT FURY, MON AMOUR --
,
FRITZ LANG AND GOEBBELS --
,
PART SEVEN. GROUP TEXTS --
,
SPECIAL FEATURE --
,
FQ ROUND TABLE --
,
NOTES ON CONTRIBUTORS --
,
INDEX
,
English
Additional Edition:
ISBN 0-520-21603-2
Additional Edition:
ISBN 0-520-21602-4
Language:
English
DOI:
10.1525/9780520921795
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