Umfang:
1 Online-Ressource (257 pages)
Ausgabe:
Online-Ausg.
ISBN:
0520276507
,
0520957113
,
9780520276505
,
9780520957114
Inhalt:
What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music's adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of
Inhalt:
Cover; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction; What Is an Author?; Partbooks, Choirbooks, and Beyond; The Cultures of Print; From Mass to Chanson; 1. The World of Books; Anthologies and Anonyms; The Names of Authors; 2. Music Books and Their Authors; Editors and Craftsmen; Choirbooks, Masses, and Fame; The Real Stories behind Single- Composer Choirbooks; 3. Authors of Lyric; The Parisian Chanson and Composers as ""Autheurs""; The Lyric Economy at Mid- Century; 4. The Book of Poetry Becomes a Book of Music; Settings of Ronsard's Poetry, 1550-1570
Inhalt:
Les Amours de P. de Ronsard Misesen MusiqueA Culture of Music Books; Books, Bibliothèques, and Bibliographies; 5. Resisting the Press: Performance; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z
Anmerkung:
Includes bibliographical references and index
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Van Orden, Kate Music, authorship, and the book in the first century of print Berkeley [u.a.] : Univ. of California Press, 2014 ISBN 9780520276505
Sprache:
Englisch
Fachgebiete:
Musikwissenschaft
Schlagwort(e):
Buchdruck
;
Notendruck
;
Autorschaft
;
Geschichte 1500-1600
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