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  • 1
    UID:
    gbv_883383608
    Format: 1 Online-Ressource (xi, 285 pages) , digital, PDF file(s)
    ISBN: 9780511527180
    Series Statement: Cambridge studies in American literature and culture 74
    Content: This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser - three generations of women poets working in or directly from a modernist tradition. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics. The impact of first-wave American feminism is examined through an extended analysis of Mina Loy's poetry as a source of a feminist modernism for Williams. Levertov and Fraser are discussed as poetic daughters of Williams who strive to define their voices as women and to reclaim an enabling poetic tradition. In the process, each woman's negotiations with poetic authority and tradition call into question the relationship of poetic father and daughter. Positioning Williams in relation to these three generations of Anglo-American writing within and descending from the modernist movement, the book pursues two questions: what can women poets, writing with an informed awareness of Williams teach us about his modernist poetics of contact, and just as importantly, what can they teach us about the process, for women, of constructing a writing self within a male-dominated tradition?
    Content: 1. "The Full of My Freed Voice": Williams and Loy, Feminism and the Feminine -- The New Freewoman, the Egoist, and the Feminine -- The Feminist Movement, Mina Loy, and Others -- The Feminine as Resistance to Authority -- 2. In The American Grain: Proclaiming a Feminine Ground -- A Maternal Model for Tradition -- History's Myth of Discovery: Mastery's "outward thrust" -- The Feminine Ground of Contact: "a moral source not reckoned with" -- Language and the Local: "a woman drawing to herself ... myriad points of sound" -- 3. Denise Levertov: The Daughter's Voice -- A Maternal Mode of Authority: "The voice / a wave rising" -- A Discourse in Compassion: "Revolution in the poem -- The Houses of Tradition: "rise up / with changed vision" -- 4. Kathleen Fraser: A Tradition of Marginality -- Language Innovation and a Feminist Poetics: "to re-write the flood" -- Language Dis-ease: "What structure gagged me?" -- Language, Gender, and Tradition: "inside / (jittery / burned language)" -- Spring and All: New and Hidden Tradition -- Conclusion: Paterson and the Question of Authority
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521451277
    Additional Edition: ISBN 9780521101578
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521451277
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9947414336302882
    Format: 1 online resource (xi, 285 pages) : , digital, PDF file(s).
    ISBN: 9780511527180 (ebook)
    Series Statement: Cambridge studies in American literature and culture ; 74
    Content: This book examines the early work of William Carlos Williams in relationship to a woman's tradition of American poetry, as represented by Mina Loy, Denise Levertov and Kathleen Fraser - three generations of women poets working in or directly from a modernist tradition. Linda Kinnahan traces notions of the feminine and the maternal that develop as Williams seeks to create a modern poetics. The impact of first-wave American feminism is examined through an extended analysis of Mina Loy's poetry as a source of a feminist modernism for Williams. Levertov and Fraser are discussed as poetic daughters of Williams who strive to define their voices as women and to reclaim an enabling poetic tradition. In the process, each woman's negotiations with poetic authority and tradition call into question the relationship of poetic father and daughter. Positioning Williams in relation to these three generations of Anglo-American writing within and descending from the modernist movement, the book pursues two questions: what can women poets, writing with an informed awareness of Williams teach us about his modernist poetics of contact, and just as importantly, what can they teach us about the process, for women, of constructing a writing self within a male-dominated tradition?
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , 1. "The Full of My Freed Voice": Williams and Loy, Feminism and the Feminine -- The New Freewoman, the Egoist, and the Feminine -- The Feminist Movement, Mina Loy, and Others -- The Feminine as Resistance to Authority -- 2. In The American Grain: Proclaiming a Feminine Ground -- A Maternal Model for Tradition -- History's Myth of Discovery: Mastery's "outward thrust" -- The Feminine Ground of Contact: "a moral source not reckoned with" -- Language and the Local: "a woman drawing to herself ... myriad points of sound" -- 3. Denise Levertov: The Daughter's Voice -- A Maternal Mode of Authority: "The voice / a wave rising" -- A Discourse in Compassion: "Revolution in the poem -- The Houses of Tradition: "rise up / with changed vision" -- 4. Kathleen Fraser: A Tradition of Marginality -- Language Innovation and a Feminist Poetics: "to re-write the flood" -- Language Dis-ease: "What structure gagged me?" -- Language, Gender, and Tradition: "inside / (jittery / burned language)" -- Spring and All: New and Hidden Tradition -- Conclusion: Paterson and the Question of Authority.
    Additional Edition: Print version: ISBN 9780521451277
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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