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  • 1
    Buch
    Buch
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV036032611
    Umfang: XI, 292 S. , Notenbeisp.
    Ausgabe: 1. publ.
    ISBN: 9780521110549
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Wagner, Richard 1813-1883 ; Musik ; Gesellschaft ; Geschichte ; Wagner, Richard 1813-1883 ; Musikästhetik ; Politik ; Geschichte
    Mehr zum Autor: Garratt, James 1974-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947415169702882
    Umfang: 1 online resource (xi, 292 pages) : , digital, PDF file(s).
    ISBN: 9781139042758 (ebook)
    Inhalt: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity.
    Weitere Ausg.: Print version: ISBN 9780521110549
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    UID:
    gbv_883471027
    Umfang: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    ISBN: 9781139042758
    Inhalt: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Inhalt: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Weitere Ausg.: ISBN 9780521110549
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Garratt, James, 1974 - Music, culture and social reform in the age of Wagner Cambridge [u.a.] : Cambridge Univ. Press, 2010 ISBN 9780521110549
    Weitere Ausg.: ISBN 0521110548
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780521110549
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    URL: Volltext  (lizenzpflichtig)
    Mehr zum Autor: Garratt, James 1974-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    Cambridge ; : Cambridge University Press,
    UID:
    edocfu_9959242017502883
    Umfang: 1 online resource (306 p.)
    ISBN: 1-107-20259-0 , 1-139-03577-0 , 1-283-05190-7 , 9786613051905 , 1-139-04123-1 , 1-139-04200-9 , 1-139-04463-X , 1-139-03809-5 , 1-139-04045-6
    Inhalt: A radical reappraisal of the left-wing politics at the heart of nineteenth-century German music and culture.
    Anmerkung: Description based upon print version of record. , Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nageli and Zelter -- Radical and social aesthetics in the Vormarz. The trouble with Tannhauser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormarz literary and musical discourse -- Speaking for the Volk: music, politics and Vormarz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bulow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity.
    Weitere Ausg.: ISBN 0-521-11054-8
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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