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  • 1
    Book
    Book
    Beethoven the pianist / (2010)
    Cambridge [u.a.] :Cambridge Univ. Pr.,
    Details
    UID:
    almahu_BV039581830
    Format: X, 274 S. : , Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-0-521-11959-7
    Series Statement: Musical performance and reception
    Note: Includes bibliographical references
    Language: English
    Subjects: Musicology
    RVK:
    LP 63240
    Keywords: 1770-1827 Beethoven, Ludwig van ; Klavierspiel
    URL: 13
    URL: 80
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
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  • 2
    Online Resource
    Online Resource
    Beethoven the pianist / (2010)
    Cambridge :Cambridge University Press,
    Details
    UID:
    almahu_9947414230502882
    Format: 1 online resource (x, 274 pages) : , digital, PDF file(s).
    ISBN: 9780511730085 (ebook)
    Series Statement: Musical performance and reception
    Content: The widely held belief that Beethoven was a rough pianist, impatient with his instruments, is not altogether accurate: it is influenced by anecdotes dating from when deafness had begun to impair his playing. Presenting a detailed biography of Beethoven's formative years, this book reviews the composer's early career, outlining how he was influenced by teachers, theorists and instruments. Skowroneck describes the development and decline of Beethoven's pianism, and pays special attention to early pianos, their construction and their importance for Beethoven and the modern pianist. The book also includes discussions of legato and Beethoven's trills, and a complete annotated review of eyewitnesses' reports about his playing. Skowroneck presents a revised picture of Beethoven which traces his development from an impetuous young musician into a virtuoso in command of many musical resources.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Part I : Beethoven, his playing and his instruments. Beethoven's early training ; Beethoven the pianist ; Beethoven's first decade in Vienna ; The 1803 Érard grand piano -- Part II : Sound ideal and performance. The builder's influence ; The player's influence -- Part III : Sound ideal, notation, and stylistic change. Common touch and legato ; The performance of Beethoven's trills.
    Additional Edition: Print version: ISBN 9780521119597
    Language: English
    Subjects: Musicology
    RVK:
    LP 63240
    URL: https://doi.org/10.1017/CBO9780511730085
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    FU Berlin
  • 3
    Online Resource
    Online Resource
    Beethoven the Pianist (2010)
    Cambridge : Cambridge University Press
    Details
    UID:
    gbv_883364352
    Format: Online-Ressource (1 online resource (284 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511730085
    Series Statement: Musical Performance and Reception
    Content: The widely held belief that Beethoven was a rough pianist, impatient with his instruments, is not altogether accurate: it is influenced by anecdotes dating from when deafness had begun to impair his playing. Presenting a detailed biography of Beethoven's formative years, this book reviews the composer's early career, outlining how he was influenced by teachers, theorists and instruments. Skowroneck describes the development and decline of Beethoven's pianism, and pays special attention to early pianos, their construction and their importance for Beethoven and the modern pianist. The book also includes discussions of legato and Beethoven's trills, and a complete annotated review of eyewitnesses' reports about his playing. Skowroneck presents a revised picture of Beethoven which traces his development from an impetuous young musician into a virtuoso in command of many musical resources
    Content: Part I : Beethoven, his playing and his instruments. Beethoven's early training ; Beethoven the pianist ; Beethoven's first decade in Vienna ; The 1803 Érard grand piano -- Part II : Sound ideal and performance. The builder's influence ; The player's influence -- Part III : Sound ideal, notation, and stylistic change. Common touch and legato ; The performance of Beethoven's trills
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521119597
    Additional Edition: Erscheint auch als Druck-Ausgabe Skowroneck, Tilman, 1959 - Beethoven the pianist Cambridge [u.a.] : Cambridge University Press, 2010 ISBN 9780521119597
    Additional Edition: ISBN 0521119596
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521119597
    Language: English
    Subjects: Musicology
    RVK:
    LP 63174
    RVK:
    LR 11755
    Keywords: Beethoven, Ludwig van 1770-1827 ; Klavierspiel ; Geschichte 1780-1800
    DOI: 10.1017/CBO9780511730085
    URL: Volltext  (lizenzpflichtig)
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    Stabi Berlin
  • 4
    Online Resource
    Online Resource
    Beethoven the Pianist (2010)
    Cambridge : Cambridge University Press
    Details
    UID:
    kobvindex_INT59239
    Format: 1 online resource (286 pages)
    Edition: 1st ed.
    ISBN: 9780511725906
    Series Statement: Musical Performance and Reception Series
    Content: Presenting a picture of Beethoven's formative years and early career, this study shows how the composer was influenced by teachers, theorists and instruments. Skowroneck pays special attention to Beethoven's trills and legato, and thoroughly revises the idea that Beethoven treated his pianos roughly and with impatience throughout his career
    Note: Cover -- Half-title -- Series-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Abbreviations and conventions -- Introduction -- Part I Beethoven, his playing, and his instruments -- Introduction -- Chapter 1 Beethoven's early training -- Ludwig the elder's and Johann's professional training -- Ludwig van Beethoven's early education -- Beethoven's early lessons - musical considerations -- Van den Eeden, Pfeiffer, and Rovantini -- Beethoven's Clavier -- First success -- Chapter 2 Beethoven the pianist -- Christian Gottlob Neefe: the traditional picture -- A look at Neefe's and Beethoven's calendars -- What Neefe taught Beethoven -- The introduction of fortepianos in Bonn -- A suitable touch - exploring a new instrument -- Spath's and Stein's Klaviere -- Chapter 3 Beethoven's first decade in Vienna -- The first year -- Toward a professional career -- Beethoven on piano playing -- Beethoven on fortepiano sound -- Two Viennese schools of fortepiano building and fortepiano playing -- Beethoven's "own tone" -- Beethoven's pianos around 1800 -- Chapter 4 The 1803 Érard grand piano -- History of the instrument -- Beethoven's Érard and the English and French building tradition -- Why was the Érard's action altered? -- Härtel's and Beethoven's influence on Streicher's change of piano design -- Deafness, impatience and the misuse of instruments -- The first piece for the Érard: the "Waldstein" Sonata -- Extending the keyboard range -- The "Waldstein" Sonata and the French action -- Part II Sound ideal and performance -- Introduction -- Chapter 5 The builder's influence -- Fortepianos good and bad -- Acclaim and criticism of fortepianos around 1800 -- Fortepiano criticism and marketing -- Transition and weak design -- Structural stability and chronology -- Beethoven's sound ideal and modern fortepiano copies , Chapter 6 The player's influence -- Reports about Beethoven's playing -- Positive reports, negative reports: an annotated chronology -- A lost element: Beethoven's improvisation -- Composing for the early piano -- The visionary composer and the early piano -- Part III Sound ideal, notation, and stylistic change -- Introduction -- Chapter 7 Common touch and legato -- Conflicting opinions about the detached style -- Türk's principle of a varying keyboard touch -- The development of Beethoven's notated articulation in his early works -- Publishing for the Viennese: expressive notation versus pre-nderstood keyboard touch -- Eighteenth-century touch and separated and meeting slurs -- Superlegato -- Legato in melodies and the split damper pedal -- Conclusion: Beethoven's legato notation revisited -- Chapter 8 The performance of Beethoven's trills -- Beethoven's trills: traditional views -- Beethoven's early notation of trills -- The evolution and the performance of the short trill symbol in Beethoven's work -- The trilled turn and the turn between two notes -- Trill starts, chronology and fingerings -- Beethoven's prescribed trill starts -- Written-out trill textures in Beethoven -- Modern arguments versus the player's intuition -- Conclusion -- Epilog -- Bibliography -- Index
    Additional Edition: Print version Skowroneck, Tilman Beethoven the Pianist Cambridge : Cambridge University Press,c2010 ISBN 9780521119597
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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    Online Resource
    Berlin International
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