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  • 1
    Book
    Book
    Cambridge :Cambridge Univ. Press,
    UID:
    almahu_BV010560483
    Format: XIII, 290 S. : Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-521-45374-7
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Aufführung ; Interpretation ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414853702882
    Format: 1 online resource (xiii, 290 pages) : , digital, PDF file(s).
    ISBN: 9780511552366 (ebook)
    Content: The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Part 1. Fundamentals. What do we perform? / Roy Howat ; Expression in performance: generativity, perception and semiosis / Eric Clarke ; Musical motion and performance: theoretical and empirical perspectives / Patrick Shove and Bruno H. Repp ; Deliberate practice and elite musical performance / Ralf Th. Krampe and K. Anders Ericsson -- Part 2. Structure and meaning in performance. The conductor and the theorist: Furtwangler, Schenker and the first movement of Beethoven's Ninth Symphony / Nicholas Cook ; A curious moment in Schumann's Fourth Symphony: structure as the fusion of affect and intuition / David Epstein ; Beginning-ending ambiguity: consequences of performance choices / Janet M. Levy ; Strategies of irony in Prokofiev's Violin Sonata in F Minor op. 80 / Ronald Woodley -- Part 3. Performance as process. Performance and analysis: interaction and interpretation / Joel Lester ; Analysis and the act of performance / William Rothstein ; The pianist as critic / Edward T. Cone ; Playing in time: rhythm, metre and tempo in Brahms' Fantasien op. 116 / John Rink.
    Additional Edition: Print version: ISBN 9780521453745
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883450461
    Format: 1 Online-Ressource (xiii, 290 pages) , digital, PDF file(s)
    ISBN: 9780511552366
    Content: The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience
    Content: Part 1. Fundamentals. What do we perform? / Roy Howat ; Expression in performance: generativity, perception and semiosis / Eric Clarke ; Musical motion and performance: theoretical and empirical perspectives / Patrick Shove and Bruno H. Repp ; Deliberate practice and elite musical performance / Ralf Th. Krampe and K. Anders Ericsson -- Part 2. Structure and meaning in performance. The conductor and the theorist: Furtwangler, Schenker and the first movement of Beethoven's Ninth Symphony / Nicholas Cook ; A curious moment in Schumann's Fourth Symphony: structure as the fusion of affect and intuition / David Epstein ; Beginning-ending ambiguity: consequences of performance choices / Janet M. Levy ; Strategies of irony in Prokofiev's Violin Sonata in F Minor op. 80 / Ronald Woodley -- Part 3. Performance as process. Performance and analysis: interaction and interpretation / Joel Lester ; Analysis and the act of performance / William Rothstein ; The pianist as critic / Edward T. Cone ; Playing in time: rhythm, metre and tempo in Brahms' Fantasien op. 116 / John Rink
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521453745
    Additional Edition: ISBN 9780521619394
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521453745
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_1653236132
    Format: Online-Ressource (1 online resource (308 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511552366
    Content: The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    Additional Edition: ISBN 9780521453745
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-052-145-374-5
    Language: English
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Cambridge :Cambridge Univ. Press,
    UID:
    almafu_BV013253791
    Format: XIII, 290 S. : Notenbeisp.
    Edition: Transferred to digital print.
    ISBN: 0-521-45374-7
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Aufführung ; Interpretation ; Musik ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Book
    Book
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_245555188
    Format: XIII, 290 S , graph. Darst., Notenbeisp
    Edition: 1. paperback ed.
    ISBN: 0521619394 , 0521453747
    Note: Includes bibliographical references and index
    Language: English
    Keywords: Musikalische Aufführungspraxis ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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