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  • 1
    Online Resource
    Online Resource
    Cambridge : Harvard University Press
    UID:
    gbv_836902610
    Format: Online-Ressource (334 p)
    ISBN: 9780674019959
    Content: Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Civilizations Do Not Clash -- Empires Do -- 1 The Semiotic Turn of International Politics -- 2 The Birth of a Super-Sign -- 3 Figuring Sovereignty -- 4 Translating International Law -- 5 The Secret of Her Greatness -- 6 The Sovereign Subject of Grammar -- Conclusion: The Emperor's Empty Throne -- Appendix: Lin Zexu's Communication to Queen Victoria -- Notes -- Glossary of Selected Chinese Characters -- Index.
    Note: Description based upon print version of record
    Additional Edition: ISBN 9780674040298
    Additional Edition: ISBN 9780674019959
    Additional Edition: Print version Clash of Empires : The Invention of China in Modern World Making
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge, MA :Harvard University Press,
    UID:
    edocfu_9959781813002883
    Format: 1 online resource (334 p.)
    ISBN: 9780674040298
    Content: What is lost in translation may be a war, a world, a way of life. A unique look into the nineteenth-century clash of empires from both sides of the earthshaking encounter, this book reveals the connections between international law, modern warfare, and comparative grammar--and their influence on the shaping of the modern world in Eastern and Western terms. The Clash of Empires brings to light the cultural legacy of sovereign thinking that emerged in the course of the violent meetings between the British Empire and the Qing Dynasty (1644-1911). Lydia Liu demonstrates how the collision of imperial will and competing interests, rather than the civilizational attributes of existing nations and cultures, led to the invention of "China," "the East," "the West," and the modern notion of "the world" in recent history. Drawing on her archival research and comparative analyses of English--and Chinese--language texts, as well as their respective translations, she explores how the rhetoric of barbarity and civilization, friend and enemy, and discourses on sovereign rights, injury, and dignity were a central part of British imperial warfare. Exposing the military and philological--and almost always translingual--nature of the clash of empires, this book provides a startlingly new interpretation of modern imperial history.
    Note: Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Introduction: Civilizations Do Not Clash; Empires Do -- , 1 The Semiotic Turn of International Politics -- , 2 The Birth of a Super-Sign -- , 3 Figuring Sovereignty -- , 4 Translating International Law -- , 5 The Secret of Her Greatness -- , 6 The Sovereign Subject of Grammar -- , Conclusion: The Emperor's Empty Throne -- , Appendix: Lin Zexu's Communication to Queen Victoria -- , Notes -- , Glossary of Selected Chinese Characters -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Cambridge, MA :Harvard University Press,
    UID:
    edocfu_9959232436102883
    Format: xiii, 318 p. : , ill., maps.
    ISBN: 0-674-04029-5
    Content: What is lost in translation may be a war, a world, a way of life. A unique look into the nineteenth-century clash of empires from both sides of the earthshaking encounter, this book reveals the connections between international law, modern warfare, and comparative grammar--and their influence on the shaping of the modern world in Eastern and Western terms. The Clash of Empires brings to light the cultural legacy of sovereign thinking that emerged in the course of the violent meetings between the British Empire and the Qing Dynasty (1644-1911). Lydia Liu demonstrates how the collision of imperial will and competing interests, rather than the civilizational attributes of existing nations and cultures, led to the invention of "China," "the East," "the West," and the modern notion of "the world" in recent history. Drawing on her archival research and comparative analyses of English--and Chinese--language texts, as well as their respective translations, she explores how the rhetoric of barbarity and civilization, friend and enemy, and discourses on sovereign rights, injury, and dignity were a central part of British imperial warfare. Exposing the military and philological--and almost always translingual--nature of the clash of empires, this book provides a startlingly new interpretation of modern imperial history.
    Note: Bibliographic Level Mode of Issuance: Monograph , Frontmatter -- , Contents -- , Illustrations -- , Acknowledgments -- , Introduction: Civilizations Do Not Clash; Empires Do -- , 1 The Semiotic Turn of International Politics -- , 2 The Birth of a Super-Sign -- , 3 Figuring Sovereignty -- , 4 Translating International Law -- , 5 The Secret of Her Greatness -- , 6 The Sovereign Subject of Grammar -- , Conclusion: The Emperor's Empty Throne -- , Appendix: Lin Zexu's Communication to Queen Victoria -- , Notes -- , Glossary of Selected Chinese Characters -- , Index , English
    Additional Edition: ISBN 0-674-01995-4
    Additional Edition: ISBN 0-674-01307-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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