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  • 1
    Online Resource
    Online Resource
    Cambridge, Mass. [u.a.] :Harvard University Press,
    UID:
    edocfu_9958351937002883
    Edition: Electronic reproduction. Cambridge, Mass. [u.a.] : Harvard University Press, 2007. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9780674042834
    Content: As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
    Note: Frontmatter -- , Preface -- , Contents -- , Illustrations -- , I. The virtual life of film -- , II. What was cinema? -- , III. A new landscape (without image) -- , Acknowledgments. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge, Mass. [u.a.] :Harvard University Press,
    UID:
    almafu_9958351937002883
    Edition: Electronic reproduction. Cambridge, Mass. [u.a.] : Harvard University Press, 2007. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9780674042834
    Content: As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
    Note: Frontmatter -- , Preface -- , Contents -- , Illustrations -- , I. The virtual life of film -- , II. What was cinema? -- , III. A new landscape (without image) -- , Acknowledgments. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Cambridge, Mass. :Harvard University Press,
    UID:
    almafu_9959232447702883
    Format: 1 online resource (198 p. ) , ill.
    Edition: 1st ed.
    ISBN: 0-674-26677-3 , 0-674-04283-2
    Content: As almost every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media, what will happen to cinema--and to cinema studies? In the first of two books exploring this question, Rodowick considers the fate of film and its role in the aesthetics and culture of the twenty-first century.
    Note: Includes index. , Frontmatter -- , Preface -- , Contents -- , Illustrations -- , I. The virtual life of film -- , II. What was cinema? -- , III. A new landscape (without image) -- , Acknowledgments , In English.
    Additional Edition: ISBN 0-674-02698-5
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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