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  • 1
    Book
    Book
    Powers of the real : cinema, gender, and emotion in interwar Japan (2019)
    Cambridge, Massachusetts : Published by the Harvard University Asia Center | Cambridge, Massachusetts : Distributed by Harvard University Press
    Details
    UID:
    gbv_1664317309
    Format: xiii, 267 Seiten , Illustrationen
    ISBN: 9780674241152 , 9780674241169
    Series Statement: Harvard East Asian monographs 424
    Content: "Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher
    Note: Literaturverzeichnis: Seite 241-253 , Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts.
    Language: English
    Subjects: General works
    RVK:
    AP 44963
    Keywords: Japan ; Film ; Geschichte ; Massenmedien ; Emotionen ; Frau ; Realismus ; Moderne
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Powers of the Real : Cinema, Gender, and Emotion in Interwar Japan (2019)
    Leiden : BRILL
    Details
    UID:
    gbv_1777112583
    Format: 1 Online-Ressource
    ISBN: 9781684176045 , 9780674241152
    Series Statement: Harvard East Asian Monographs 424
    Content: Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts.
    Content: "Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9780674241152
    Additional Edition: Erscheint auch als Druck-Ausgabe Powers of the Real : Cinema, Gender, and Emotion in Interwar Japan Leiden ; Boston : BRILL, 2019 ISBN 9780674241152
    Language: English
    DOI: 10.1163/9781684176045
    URL: DOI
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    UB Potsdam
  • 3
    E-Resource
    E-Resource
    Powers of the Real : Cinema, Gender, and Emotion in Interwar Japan (2019)
    Leiden; : BRILL,
    Details
    UID:
    almahu_9949703398702882
    Format: 1 online resource.
    ISBN: 9781684176045 , 9780674241152
    Series Statement: Harvard East Asian Monographs ; 424
    Content: "Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher.
    Note: Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts.
    Additional Edition: Print version: Powers of the Real : Cinema, Gender, and Emotion in Interwar Japan, Leiden ; Boston : BRILL, 2019 ISBN 9780674241152
    Language: English
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
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    E-Resource
    HU Berlin get availability status
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