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  • 1
    Book
    Book
    Ithaca ; London :Cornell University Press,
    UID:
    almahu_BV042891227
    Format: XI, 262 Seiten.
    ISBN: 978-0-8014-5312-0
    Note: Includes bibliographical references and index , Shostakovich and the iron curtain : intellectual property and trans-imperial integration -- Dueling pianos : imperial and national dynamics in postwar music competitions -- From the Moscow musical holiday to the first Tchaikovsky Competition -- Oistrakh on tour, Richter at home : display, control, and the style of global empire -- Oistrakh and the impresario : Soviet concert tours and trans-imperial integration
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Außenpolitik ; Musikpolitik ; Musikwettbewerb ; Musikleben
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Ithaca :Cornell University Press,
    UID:
    almafu_9959231676802883
    Format: 1 online resource (277 p.)
    Edition: 1st ed.
    ISBN: 1-5017-0181-9 , 1-5017-0182-7
    Content: In the 1940's and 1950's, Soviet musicians and ensembles were acclaimed across the globe. They toured the world, wowing critics and audiences, projecting an image of the USSR as a sophisticated promoter of cultural and artistic excellence. In Virtuosi Abroad, Kiril Tomoff focuses on music and the Soviet Union's star musicians to explore the dynamics of the cultural Cold War. He views the competition in the cultural sphere as part of the ongoing U.S. and Soviet efforts to integrate the rest of the world into their respective imperial projects. Tomoff argues that the spectacular Soviet successes in the system of international music competitions, taken together with the rapturous receptions accorded touring musicians, helped to persuade the Soviet leadership of the superiority of their system. This, combined with the historical triumphalism central to the Marxist-Leninist worldview, led to confidence that the USSR would be the inevitable winner in the global competition with the United States. Successes masked the fact that the very conditions that made them possible depended on a quiet process by which the USSR began to participate in an international legal and economic system dominated by the United States. Once the Soviet leadership transposed its talk of system superiority to the economic sphere, focusing in particular on consumer goods and popular culture, it had entered a competition that it could not win.
    Note: Description based upon print version of record. , Shostakovich and the iron curtain : intellectual property and trans-imperial integration -- Dueling pianos : imperial and national dynamics in postwar music competitions -- From the Moscow musical holiday to the first Tchaikovsky Competition -- Oistrakh on tour, Richter at home : display, control, and the style of global empire -- Oistrakh and the impresario : Soviet concert tours and trans-imperial integration. , Issued also in print. , English
    Additional Edition: ISBN 0-8014-5312-7
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Ithaca, New York :Cornell University Press,
    UID:
    almahu_9949597661202882
    Format: 1 online resource
    ISBN: 9781501701825 (ebook) :
    Content: In the 1940s and 1950s, Soviet musicians and ensembles were acclaimed across the globe. They toured the world, wowing critics and audiences, projecting an image of the USSR as a sophisticated promoter of cultural and artistic excellence. This book focuses on music and the Soviet Union's star musicians to explore the dynamics of the cultural Cold War. It views the competition in the cultural sphere as part of the ongoing U.S. and Soviet efforts to integrate the rest of the world into their respective imperial projects.
    Note: Previously issued in print: 2015.
    Additional Edition: Print version : ISBN 9780801453120
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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