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  • 1
    Online Resource
    Online Resource
    Baltimore :Johns Hopkins University Press,
    UID:
    almahu_9949331252302882
    Format: 1 online resource (xvii, 305 pages) : , illustrations
    ISBN: 9781421427812 , 1421427818
    Content: At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.
    Note: English
    Additional Edition: Print version: ISBN 9780801888038
    Additional Edition: ISBN 0801888034
    Additional Edition: ISBN 1-4214-2781-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Baltimore :Johns Hopkins University Press,
    UID:
    edoccha_9959165335202883
    Format: 1 online resource (xvii, 305 pages) : , illustrations
    ISBN: 9781421427812 , 1421427818
    Content: At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.
    Note: English
    Additional Edition: Print version: ISBN 9780801888038
    Additional Edition: ISBN 0801888034
    Additional Edition: ISBN 1-4214-2781-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Baltimore :Johns Hopkins University Press,
    UID:
    edocfu_9959165335202883
    Format: 1 online resource (xvii, 305 pages) : , illustrations
    ISBN: 9781421427812 , 1421427818
    Content: At a glance, high fashion and feminism seem unlikely partners. Between the First and Second World Wars, however, these forces combined femininity and modernity to create the new, modern French woman. In this engaging study, Mary Lynn Stewart reveals the fashion industry as an integral part of women's transition into modernity. Analyzing what female columnists in fashion magazines and popular women novelists wrote about the "new silhouette," Stewart shows how bourgeois women feminized the more severe, masculine images that elite designers promoted to create a hybrid form of modern that both emancipated women and celebrated their femininity. She delves into the intricacies of marketing the new clothes and the new image to middle-class women and examines the nuts and bolts of a changing industry—including textile production, relationships between suppliers and department stores, and privacy and intellectual property issues surrounding ready-to-wear couture designs. Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.
    Note: English
    Additional Edition: Print version: ISBN 9780801888038
    Additional Edition: ISBN 0801888034
    Additional Edition: ISBN 1-4214-2781-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Book
    Book
    Baltimore, Md. : Johns Hopkins Univ. Press
    UID:
    gbv_1612474888
    Format: XVII, 305 S. , Ill.
    ISBN: 9780801888038 , 0801888034
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: Frankreich ; Damenmode ; Marketing ; Geschichte 1919-1939 ; Frankreich ; Haute couture ; Marketing ; Geschichte 1919-1939 ; Frankreich ; Damenmode ; Marketing ; Geschichte 1919-1939 ; Haute couture
    Library Location Call Number Volume/Issue/Year Availability
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