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  • 1
    Online-Ressource
    Online-Ressource
    Chapel Hill : University of North Carolina Press
    UID:
    gbv_1696570913
    Umfang: 1 online resource (347 pages)
    Ausgabe: 1st ed.
    ISBN: 9780807869062
    Inhalt: In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video "Dangerous." In this sweeping work, Marvin McAllister explores the enduring tradition of "whiting up," in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. Not to be confused with racial "passing" or derogatory notions of "acting white," whiting up is a deliberate performance strategy designed to challenge America's racial and political hierarchies by transferring supposed markers of whiteness to black bodies--creating unexpected intercultural alliances even as it sharply critiques racial stereotypes. Along with conventional theater, McAllister considers a variety of other live performance modes, including weekly promenading rituals, antebellum cakewalks, solo performance, and standup comedy. For over three centuries, whiting up as allowed African American artists to appropriate white cultural production, fashion new black identities through these "white" forms, and advance our collective ability to locate ourselves in others.
    Inhalt: Cover -- Contents -- Acknowledgments -- Introduction: Whiting Up Work -- Chapter 1 Liberatory Whiteness: Early Whiteface Minstrels, Enslaved and Free -- Chapter 2 Imitation Whiteness: James Hewlett's Stage Europeans -- Chapter 3 Low-Down Whiteness: A Trip to Coontown -- Chapter 4 Trespassing on Whiteness: Negro Actors and the Nordic Complex -- Chapter 5 Estranging Whiteness: Queens, Clowns, and Beasts in 1960s Black Drama -- Chapter 6 White People Be Like . . .: Black Solo and Racial Difference -- Conclusion: Problems and Possibilities of Whiting Up -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- X -- Y.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Weitere Ausg.: ISBN 9780807835081
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780807835081
    Sprache: Englisch
    Schlagwort(e): Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Chapel Hill :University of North Carolina Press,
    UID:
    almahu_9949597131402882
    Umfang: 1 online resource (xiii, 330 p.) : , ill.
    ISBN: 9781469602431 (ebook) :
    Inhalt: In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video 'Dangerous'. This work explores the enduring tradition of 'whiting up', in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities.
    Weitere Ausg.: Print version ISBN 9780807835081
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Chapel Hill, NC : Univ. of North Carolina Press
    UID:
    gbv_661198375
    Umfang: XIII, 330 S. , Ill. , 25 cm
    ISBN: 0807835080 , 9780807835081
    Inhalt: Introduction : whiting up work -- Liberatory whiteness : early whiteface minstrels, enslaved and free -- Imitation whiteness : James Hewlett's stage Europeans -- Low-down whiteness : a trip to coontown -- Trespassing on whiteness : Negro actors and the Nordic complex -- Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- White people be like -- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up
    Anmerkung: Includes bibliographical references and index , Introduction : whiting up work -- Liberatory whiteness : early whiteface minstrels, enslaved and free -- Imitation whiteness : James Hewlett's stage Europeans -- Low-down whiteness : a trip to coontown -- Trespassing on whiteness : Negro actors and the Nordic complex -- Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- White people be like -- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up.
    Sprache: Englisch
    Fachgebiete: Amerikanistik
    RVK:
    Schlagwort(e): USA ; Minstrel show ; Geschichte 1840-1870 ; USA ; Schwarze ; Theater ; Aufführung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    Chapel Hill :Univ. of North Carolina Press,
    UID:
    almafu_BV039762659
    Umfang: XIII, 330 S. : , Ill.
    ISBN: 978-0-8078-3508-1
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Amerikanistik
    RVK:
    Schlagwort(e): Schwarze ; Schauspieler ; Weiße
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Buch
    Buch
    Chapel Hill : Univ. of North Carolina Press
    UID:
    b3kat_BV042542806
    Umfang: XIII, 330 S. , Ill.
    Ausgabe: 1. [ed.]
    ISBN: 9781469618807 , 9780807835081
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Schlagwort(e): USA ; Schwarze ; Schauspieler ; Weiße ; Geschichte 1800-2011
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Chapel Hill :University of North Carolina Press,
    UID:
    edocfu_9959235814102883
    Umfang: 1 online resource (347 p.)
    Ausgabe: 1st ed.
    ISBN: 979-88-9313-200-7 , 1-4696-0243-1 , 0-8078-6906-6
    Inhalt: In the early 1890's, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface supercop in his hit music video ""Dangerous."" In this sweeping work, Marvin McAllister explores the enduring tradition of ""whiting up,"" in which African American actors, comics, musicians, and even everyday people have studied and assumed white racial identities. Not to be confused with racial ""passing"" or derogatory notions of ""acting...
    Anmerkung: Description based upon print version of record. , Introduction : whiting up work -- Liberatory whiteness : early whiteface minstrels, enslaved and free -- Imitation whiteness : James Hewlett's stage Europeans -- Low-down whiteness : a trip to coontown -- Trespassing on whiteness : Negro actors and the Nordic complex -- Estranging whiteness : queens, clowns, and beasts in 1960s Black drama -- White people be like-- : Black solo and racial difference -- Conclusion : problems and possibilities of whiting up. , English
    Weitere Ausg.: ISBN 1-4696-1880-X
    Weitere Ausg.: ISBN 0-8078-3508-0
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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