UID:
edocfu_9958352415702883
Umfang:
1 online resource(472p.) :
,
illustrations.
Ausgabe:
Electronic reproduction. , 2014. Mode of access: World Wide Web.
Ausgabe:
System requirements: Web browser.
Ausgabe:
Access may be restricted to users at subscribing institutions.
ISBN:
9780812208382
Serie:
The Middle Ages Series
Inhalt:
Studying the medieval tradition of quoting verbatim from troubadour songs, Sarah Kay explores works produced along the arc of the northern Mediterranean in the thirteenth and fourteenth centuries, illuminating how this tradition influenced medieval literary history and the development of European subjectivity.
Anmerkung:
Frontmatter --
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Contents --
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Note on References, Translations, and Abbreviations --
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Introduction: Quotation, Knowledge, Change --
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Chapter 1. Rhyme and Reason: Quotation in Raimon Vidal de Besalú’s Razos de trobar and the Grammars of the Vidal Tradition --
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Chapter 2. Quotation, Memory, and Connoisseurship in the Novas of Raimon Vidal de Besalú --
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Chapter 3. Starting Afresh with Quotation in the Vidas and Razos --
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Chapter 4. Soliciting Quotation in Florilegia: Attribution, Authority, and Freedom --
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Chapter 5. The Nightingales’ Way: Poetry as French Song in Jean Renart’s Guillaume de Dole --
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Chapter 6. The Parrots’ Way: Th e Novas del papagai from Catalonia to Italy --
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Chapter 7. Songs Within Songs: Subjectivity and Per for mance in Bertolome Zorzi (74.9) and Jofre de Foixà (304.1) --
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Chapter 8. Perilous Quotations: Language, Desire, and Knowledge in Matfre Ermengau’s Breviari d’amor --
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Chapter 9. Dante’s Ex- Appropriation of the Troubadours in De vulgari eloquentia and the Divina commedia --
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Chapter 10. The Leys d’amors: Phasing Out the antics troubadors and Ushering in the New Toulousain Poetics --
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Chapter 11. Petrarch’s "Lasso me": Changing the Subject --
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Conclusion --
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Appendices --
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Notes --
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Bibliography of Printed and Electronic Sources --
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Index --
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Acknowledgments.
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In English.
Sprache:
Englisch
DOI:
10.9783/9780812208382
URL:
https://doi.org/10.9783/9780812208382
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