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  • 1
    Online-Ressource
    Online-Ressource
    Lexington, Kentucky :University Press of Kentucky,
    UID:
    almahu_9949178062402882
    Umfang: 1 online resource (206 pages) : , illustrations (black and white).
    ISBN: 9780813179308 (ebook) :
    Serie: Kentucky scholarship online
    Inhalt: Drawing on a broad array of theoretical lenses, Elyce Rae Helford examines how Cukor's award-winning and lesser-known films engage Hollywood masculinity and gender performativity through camp, drag, and mixed genres. Blending biography with critical analysis of more than twenty-five films, 'What Price Hollywood?' tells the story of a once-in-a-generation director who produced some of the best films in history.
    Anmerkung: Previously issued in print: 2020.
    Weitere Ausg.: Print version : ISBN 9780813179292
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Lexington : The University Press of Kentucky
    UID:
    gbv_1885606435
    Umfang: 1 Online-Ressource (1 volume) , illustrations (black and white)
    ISBN: 9780813179315 , 0813179319
    Inhalt: "The gay son of middle-class Hungarian-Jewish immigrants, George Cukor became fascinated with the theater before moving to Hollywood to become a speech coach in the early days of the sound era. Before he died in 1983, he was the noted director of nearly fifty films over a fifty-year period (1931-1981). He found steady success during Hollywood's Golden Age and beyond, including an Oscar for Best Director in 1964 for My Fair Lady - which many said was to make up for having lost the same award decades earlier for The Philadelphia Story (1940). Yet, Cukor's story is less filled with accolades than with submission to the judgements and labels given to him by the Hollywood system. As gay man, Cukor's queerness was an open secret (much in the manner of other figures of the period like Noêl Coward and Tennessee Williams) but was never proclaimed publicly in either a political or aesthetic sense. Following criticism of his focus on female-centered genres and after receiving flak for directing a woman in a man's role, Cukor quickly learned that his controversial style of directing had to change if he was to prosper. Above all, he wanted to be a Hollywood success story. In What Price Hollywood?: Gender and Sex in the Films of George Cukor, Elyce Rae Helford investigates the many ways in which Cukor's films explore and comment on gender. Influenced by sexuality, race, ethnicity, class, and nation, Cukor flourished in the studio system, largely by adhering to the traditions of classical Hollywood cinema. His work has gone underexplored by academics even as he has been praised as a Hollywood "master." He was known as both an "actor's director" and a "woman's director," and he labored to get stars including James Stewart and Judy Garland to deliver superlative performances. Helford uses a broad variety of critical and theoretical lenses to consider such subjects as female friendship, director-star collaboration, Hollywood masculinity, gender performativity, drag acts, queer musical excess, genre boundaries, and the politics of assimilation to illustrate the breadth and depth of available gendered readings of Cukor's films"--
    Inhalt: The women's director and women's friendship -- Collaboration and chastisement: Cukor directs Hepburn -- Tone, genre, and the actor's director -- Masculinity and the man who drinks -- Edelkayt: a Jewish angle on the Cukor male -- The theatricality of gender and drag performance -- Queer musical excess -- Race, nation, and gendered noir anxiety -- Ethnic assimilation and 1950s Hollywood.
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9780813179292
    Weitere Ausg.: ISBN 0813179297
    Weitere Ausg.: ISBN 9780813179292
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Helford, Elyce Rae, 1962- What price Hollywood? Lexington : The University Press of Kentucky, 2020
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Buch
    Buch
    Lexington : The University Press of Kentucky
    UID:
    gbv_1690994282
    Umfang: pages cm
    ISBN: 9780813179292
    Inhalt: The women's director and women's friendship -- Collaboration and chastisement: Cukor directs Hepburn -- Tone, genre, and the actor's director -- Masculinity and the man who drinks -- Edelkayt: a Jewish angle on the Cukor male -- The theatricality of gender and drag performance -- Queer musical excess -- Race, nation, and gendered noir anxiety -- Ethnic assimilation and 1950s Hollywood.
    Inhalt: "The gay son of middle-class Hungarian-Jewish immigrants, George Cukor became fascinated with the theater before moving to Hollywood to become a speech coach in the early days of the sound era. Before he died in 1983, he was the noted director of nearly fifty films over a fifty-year period (1931-1981). He found steady success during Hollywood's Golden Age and beyond, including an Oscar for Best Director in 1964 for My Fair Lady - which many said was to make up for having lost the same award decades earlier for The Philadelphia Story (1940). Yet, Cukor's story is less filled with accolades than with submission to the judgements and labels given to him by the Hollywood system. As gay man, Cukor's queerness was an open secret (much in the manner of other figures of the period like Noêl Coward and Tennessee Williams) but was never proclaimed publicly in either a political or aesthetic sense. Following criticism of his focus on female-centered genres and after receiving flak for directing a woman in a man's role, Cukor quickly learned that his controversial style of directing had to change if he was to prosper. Above all, he wanted to be a Hollywood success story. In What Price Hollywood?: Gender and Sex in the Films of George Cukor, Elyce Rae Helford investigates the many ways in which Cukor's films explore and comment on gender. Influenced by sexuality, race, ethnicity, class, and nation, Cukor flourished in the studio system, largely by adhering to the traditions of classical Hollywood cinema. His work has gone underexplored by academics even as he has been praised as a Hollywood "master." He was known as both an "actor's director" and a "woman's director," and he labored to get stars including James Stewart and Judy Garland to deliver superlative performances. Helford uses a broad variety of critical and theoretical lenses to consider such subjects as female friendship, director-star collaboration, Hollywood masculinity, gender performativity, drag acts, queer musical excess, genre boundaries, and the politics of assimilation to illustrate the breadth and depth of available gendered readings of Cukor's films"--
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Online-Ressource
    Online-Ressource
    Lexington : The University Press of Kentucky
    UID:
    b3kat_BV048730494
    Umfang: 214 Seiten , Illustrationen , 24 cm
    ISBN: 9780813179308
    Anmerkung: The women's director and women's friendship -- Collaboration and chastisement: Cukor directs Hepburn -- Tone, genre, and the actor's director -- Masculinity and the man who drinks -- Edelkayt: a Jewish angle on the Cukor male -- The theatricality of gender and drag performance -- Queer musical excess -- Race, nation, and gendered noir anxiety -- Ethnic assimilation and 1950s Hollywood
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-0-8131-7929-2
    Sprache: Englisch
    Schlagwort(e): Bibliografie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 5
    Buch
    Buch
    Lexington :The University Press of Kentucky,
    UID:
    almafu_BV049734741
    Umfang: 214 Seiten : , Illustrationen ; , 24 cm.
    Ausgabe: Paperback edition
    ISBN: 978-0-8131-7929-2 , 978-0-8131-9702-9
    Anmerkung: The women's director and women's friendship -- Collaboration and chastisement: Cukor directs Hepburn -- Tone, genre, and the actor's director -- Masculinity and the man who drinks -- Edelkayt: a Jewish angle on the Cukor male -- The theatricality of gender and drag performance -- Queer musical excess -- Race, nation, and gendered noir anxiety -- Ethnic assimilation and 1950s Hollywood
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, PDF ISBN 978-0-8131-7931-5
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-8131-7932-2
    Sprache: Englisch
    Schlagwort(e): 1899-1983 Cukor, George Dewey ; Criticism, interpretation, etc
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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