Kooperativer Bibliotheksverbund

UID:

Format: 1 online resource

ISBN: 9780813537856

Series Statement: Rutgers Series: The Public Life of the Arts

Content: It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production.

Note: Frontmatter -- , Contents -- , Preface and Acknowledgments -- , Introduction -- , 1. The Commodification of Culture -- , 2. Ownership of Intangible Property -- , 3. Cultural Products as Accidental Property -- , 4. Categorizing Cultural Products -- , 5. Claiming Community Ownership via Authenticity -- , 6. Family Feuds -- , 7. Outsider Appropriation -- , 8. Misappropriation and the Destruction of Value(s) -- , 9. Permissive Appropriation -- , 10. Reverse Appropriation of Intellectual Properties and Celebrity Personae -- , 11. The Civic Role of Cultural Products -- , 12. An Emerging Legal Framework -- , Appendix: Defining Property -- , Notes -- , Index -- , About the Author , In English.

Language: English

DOI: 10.36019/9780813537856

URL: https://www.degruyter.com/isbn/9780813537856

UID:

Format: 1 online resource (221 p.)

Edition: 1st ed.

ISBN: 1-280-46288-4 , 9786610462889 , 0-8135-3785-1

Series Statement: Rutgers series on the public life of the arts

Content: It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production.

Note: Description based upon print version of record. , The commodification of culture -- Ownership of intagible property -- Cultural products as accidental property -- Categorizing cultural products -- Claiming community ownership via authenticity -- Family feuds -- Outsider appropriation -- Misappropriation and the destruction of value(s) -- Permissive appropriation -- Reverse appropriation of intellectual properties and celebrity personae -- Civic role of cultural products -- An emerging legal framework. , English

Additional Edition: ISBN 0-8135-3606-5

Additional Edition: ISBN 0-8135-3605-7

Language: English

DOI: 10.36019/9780813537856