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  • 1
    Online Resource
    Online Resource
    The cinematic footprint : lights, camera, natural resources (2011)
    New Brunswick, NJ : Rutgers University Press
    Details
    UID:
    gbv_1724733036
    Format: 1 Online-Ressource (256 p) , 1 photograph
    Edition: [Online-Ausgabe]
    ISBN: 9780813551968
    Content: Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them
    Content: Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Chapter 1. Energy -- Chapter 2. Resource -- Chapter 3. Extraction -- Chapter 4. Excess -- Chapter 5. Waste -- Conclusion -- Notes -- Bibliography -- Index -- About the Author
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    DOI: 10.36019/9780813551968
    URL: lizenzpflichtig
    URL: Cover
    URL: https://www.degruyter.com/isbn/9780813551968
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Open Access Request
    FU Berlin
    MPI Bildungsforschung
  • 2
    Book
    Book
    The cinematic footprint : lights, camera, natural resources (2012)
    New Brunswick, N.J [u.a.] : Rutgers Univ. Press
    Details
    UID:
    gbv_1618815784
    Format: IX, 241 S. , 23 cm
    ISBN: 0813551382 , 9780813551388 , 0813551390 , 9780813551395
    Note: Includes bibliographical references (p. 223-230) and index , Erscheinungsjahr in Vorlageform:c2012 , Introduction -- Energy -- Resource -- Extraction -- Excess -- Waste -- Conclusion.
    Additional Edition: Erscheint auch als Online-Ausgabe Bozak, Nadia, 1975 - The cinematic footprint New Brunswick, New Jersey : Rutgers University Press, 2012 ISBN 1283864711
    Additional Edition: ISBN 9781283864718
    Additional Edition: ISBN 9780813551968
    Language: English
    Subjects: General works
    RVK:
    AP 55000
    Keywords: Filmproduktion ; Filmwirtschaft ; Nachhaltigkeit ; Umweltfaktor ; Umweltschutz
    URL: Volltext  (Inhaltsverzeichnis)
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Autorenbiografie
    URL: Inhaltstext
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Online Access
    UB Potsdam get availability status
  • 3
    Online Resource
    Online Resource
    The cinematic footprint : lights, camera, natural resources (2012)
    New Brunswick, N.J. :Rutgers University Press,
    Details
    UID:
    edocfu_9959229477302883
    Format: 1 online resource (257 p.)
    Edition: 1st ed.
    ISBN: 1-283-86471-1 , 0-8135-5196-X
    Content: Film is often used to represent the natural landscape and, increasingly, to communicate environmentalist messages. Yet behind even today’s “green” movies are ecologically unsustainable production, distribution, and consumption processes. Noting how seemingly immaterial moving images are supported by highly durable resource-dependent infrastructures, The Cinematic Footprint traces the history of how the “hydrocarbon imagination” has been central to the development of film as a medium. Nadia Bozak’s innovative fusion of film studies and environmental studies makes provocative connections between the disappearance of material resources and the emergence of digital media—with examples ranging from early cinema to Dziga Vertov’s prescient eye, from Chris Marker’s analog experiments to the digital work of Agnès Varda, James Benning, and Zacharias Kunuk. Combining an analysis of cinema technology with a sensitive consideration of film aesthetics, The Cinematic Footprint offers a new perspective on moving images and the natural resources that sustain them.
    Note: Description based upon print version of record. , Introduction -- Energy -- Resource -- Extraction -- Excess -- Waste -- Conclusion. , English
    Additional Edition: ISBN 0-8135-5138-2
    Language: English
    DOI: 10.36019/9780813551968
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    Open Access Request
    FU Berlin
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