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  • 1
    Book
    Book
    New Brunswick [u.a.] : Rutgers Univ. Press
    UID:
    gbv_768486548
    Format: XI, 256 S. , Ill. , 23 cm
    ISBN: 9780813562155 , 9780813562162
    Note: Literaturverz. S. 221 - 243 , Introduction: robot anatomiesThe artificial birth -- The mechanical body -- The mechanical slave -- The existential cyborg -- Conclusion: the ends of the human.
    Additional Edition: ISBN 9780813562179
    Language: English
    Subjects: American Studies , General works , English Studies
    RVK:
    RVK:
    RVK:
    Keywords: Roboter ; Literatur ; Film
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New Brunswick, NJ :Rutgers University Press,
    UID:
    almafu_9959127902602883
    Format: 1 online resource : , 26 photographs
    ISBN: 9780813562179
    Content: Why do we find artificial people fascinating? Drawing from a rich fictional and cinematic tradition, Anatomy of a Robot explores the political and textual implications of our perennial projections of humanity onto figures such as robots, androids, cyborgs, and automata. In an engaging, sophisticated, and accessible presentation, Despina Kakoudaki argues that, in their narrative and cultural deployment, artificial people demarcate what it means to be human. They perform this function by offering us a non-human version of ourselves as a site of investigation. Artificial people teach us that being human, being a person or a self, is a constant process and often a matter of legal, philosophical, and political struggle. By analyzing a wide range of literary texts and films (including episodes from Twilight Zone, the fiction of Philip K. Dick, Kazuo Ishiguro’s novel Never Let Me Go, Metropolis, The Golem, Frankenstein, The Terminator, Iron Man, Blade Runner, and I, Robot), and going back to alchemy and to Aristotle’s Physics and De Anima, she tracks four foundational narrative elements in this centuries-old discourse— the fantasy of the artificial birth, the fantasy of the mechanical body, the tendency to represent artificial people as slaves, and the interpretation of artificiality as an existential trope. What unifies these investigations is the return of all four elements to the question of what constitutes the human. This focused approach to the topic of the artificial, constructed, or mechanical person allows us to reconsider the creation of artificial life. By focusing on their historical provenance and textual versatility, Kakoudaki elucidates artificial people’s main cultural function, which is the political and existential negotiation of what it means to be a person.
    Note: Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , Introduction: Robot Anatomies -- , 1. The Artificial Birth -- , 2. The Mechanical Body -- , 3. The Mechanical Slave -- , 4. The Existential Cyborg -- , Conclusion: The Ends of the Human -- , NOTES -- , INDEX -- , ABOUT THE AUTHOR , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New Brunswick, NJ :Rutgers University Press,
    UID:
    almafu_9959243975702883
    Format: 1 online resource (272 p.)
    Edition: 1st ed.
    ISBN: 0-8135-6217-1
    Content: Why do we find artificial people fascinating? Drawing from a rich fictional and cinematic tradition, Anatomy of a Robot explores the political and textual implications of our perennial projections of humanity onto figures such as robots, androids, cyborgs, and automata. In an engaging, sophisticated, and accessible presentation, Despina Kakoudaki argues that, in their narrative and cultural deployment, artificial people demarcate what it means to be human. They perform this function by offering us a non-human version of ourselves as a site of investigation. Artificial people teach us that being human, being a person or a self, is a constant process and often a matter of legal, philosophical, and political struggle. By analyzing a wide range of literary texts and films (including episodes from Twilight Zone, the fiction of Philip K. Dick, Kazuo Ishiguro's novel Never Let Me Go, Metropolis, The Golem, Frankenstein, The Terminator, Iron Man, Blade Runner, and I, Robot), and going back to alchemy and to Aristotle's Physics and De Anima, she tracks four foundational narrative elements in this centuries-old discourse- the fantasy of the artificial birth, the fantasy of the mechanical body, the tendency to represent artificial people as slaves, and the interpretation of artificiality as an existential trope. What unifies these investigations is the return of all four elements to the question of what constitutes the human. This focused approach to the topic of the artificial, constructed, or mechanical person allows us to reconsider the creation of artificial life. By focusing on their historical provenance and textual versatility, Kakoudaki elucidates artificial people's main cultural function, which is the political and existential negotiation of what it means to be a person.
    Note: Includes index. , Frontmatter -- , CONTENTS -- , ACKNOWLEDGMENTS -- , Introduction: Robot Anatomies -- , 1. The Artificial Birth -- , 2. The Mechanical Body -- , 3. The Mechanical Slave -- , 4. The Existential Cyborg -- , Conclusion: The Ends of the Human -- , NOTES -- , INDEX -- , ABOUT THE AUTHOR , Issued also in print. , English
    Additional Edition: ISBN 0-8135-6216-3
    Additional Edition: ISBN 1-322-11112-X
    Language: English
    Keywords: Electronic books. ; Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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