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  • 1
    Buch
    Buch
    New Brunswick, New Jersey : Rutgers University Press
    UID:
    gbv_816612250
    Umfang: XIII, 263 Seiten , Illustrationen , 24 cm
    ISBN: 9780813568836 , 9780813568843
    Serie: American literatures initiative
    Inhalt: "Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie's cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie's invocation as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-disaporic culture's preservation through a strategy of mythic combat"--
    Anmerkung: Includes bibliographical references (pages 229-255) and index , Erscheinungsjahr in Vorlageform:[2015]
    Weitere Ausg.: ISBN 9780813568850
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): Nordamerika ; Karibik ; Zombie
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    New Brunswick, NJ :Rutgers University Press,
    UID:
    edocfu_9959135929402883
    Umfang: 1 online resource : , 12 photographs
    ISBN: 9780813568850
    Inhalt: Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth’s migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie’s cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture’s preservation through a strategy of mythic combat.
    Anmerkung: Frontmatter -- , Contents -- , Acknowledgments -- , A Note on Orthography -- , Introduction: Zombie Dialectics— “Ki sa sa ye?” (What is that?) -- , 1. Slavery and Slave Rebellion: The (Pre)History of the Zombi/e -- , 2. “American” Zombies: Love and Theft on the Silver Screen -- , 3. Haitian Zombis: Symbolic Revolutions, Metaphoric Conquests, and the Mythic Occupation of History -- , 4. Textual Zombies in the Visual Arts -- , Epilogue: The Occupation of Metaphor -- , Notes -- , Filmography -- , Works Cited -- , Index , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    New Brunswick, NJ :Rutgers University Press,
    UID:
    edocfu_9960962756602883
    Umfang: 1 online resource (283 p.)
    Ausgabe: 1st ed.
    ISBN: 0-8135-6885-4
    Serie: American literatures initiative
    Inhalt: Our most modern monster and perhaps our most American, the zombie that is so prevalent in popular culture today has its roots in African soul capture mythologies. The Transatlantic Zombie provides a more complete history of the zombie than has ever been told, explaining how the myth's migration to the New World was facilitated by the transatlantic slave trade, and reveals the real-world import of storytelling, reminding us of the power of myths and mythmaking, and the high stakes of appropriation and homage. Beginning with an account of a probable ancestor of the zombie found in the Kongolese and Angolan regions of seventeenth-century Africa and ending with a description of the way, in contemporary culture, new media are used to facilitate zombie-themed events, Sarah Juliet Lauro plots the zombie's cultural significance through Caribbean literature, Haitian folklore, and American literature, film, and the visual arts. The zombie entered US consciousness through the American occupation of Haiti, the site of an eighteenth-century slave rebellion that became a war for independence, thus making the figuration of living death inseparable from its resonances with both slavery and rebellion. Lauro bridges African mythology and US mainstream culture by articulating the ethical complications of the zombie as a cultural conquest that was rebranded for the American cinema. As The Transatlantic Zombie shows, the zombie is not merely a bogeyman representing the ills of modern society, but a battleground over which a cultural war has been fought between the imperial urge to absorb exotic, threatening elements, and the originary, Afro-diasporic culture's preservation through a strategy of mythic combat.
    Anmerkung: Description based upon print version of record. , Frontmatter -- , Contents -- , Acknowledgments -- , A Note on Orthography -- , Introduction: Zombie Dialectics- "Ki sa sa ye?" (What is that?) -- , 1. Slavery and Slave Rebellion: The (Pre)History of the Zombi/e -- , 2. "American" Zombies: Love and Theft on the Silver Screen -- , 3. Haitian Zombis: Symbolic Revolutions, Metaphoric Conquests, and the Mythic Occupation of History -- , 4. Textual Zombies in the Visual Arts -- , Epilogue: The Occupation of Metaphor -- , Notes -- , Filmography -- , Works Cited -- , Index , Issued also in print. , English
    Weitere Ausg.: ISBN 0-8135-6884-6
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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