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  • 1
    Online Resource
    Online Resource
    New York, NY :New York University Press,
    UID:
    edocfu_9959615477902883
    Format: 1 online resource
    ISBN: 9780814786536
    Series Statement: America and the Long 19th Century ; 14
    Content: From the patricians of the early republic to post-Reconstruction racial scientists, from fin de siècle progressivist social reformers to post-war sociologists, character, that curiously formable yet equally formidable “stuff,” has had a long and checkered history giving shape to the American national identity.Bodies of Reform reconceives this pivotal category of nineteenth-century literature and culture by charting the development of the concept of “character” in the fictional genres, social reform movements, and political cultures of the United States from the mid-nineteenth to the early-twentieth century. By reading novelists such as Herman Melville, Mark Twain, Pauline Hopkins, and Charlotte Perkins Gilman alongside a diverse collection of texts concerned with the mission of building character, including child-rearing guides, muscle-building magazines, libel and naturalization law, Scout handbooks, and success manuals, James B. Salazar uncovers how the cultural practices of representing character operated in tandem with the character-building strategies of social reformers. His innovative reading of this archive offers a radical revision of this defining category in U.S. literature and culture, arguing that character was the keystone of a cultural politics of embodiment, a politics that played a critical role in determining-and contesting-the social mobility, political authority, and cultural meaning of the raced and gendered body.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. Philanthropic Taste -- , 2. Character Is Capital -- , 3. Muscle Memory -- , 4. “A Story Written on Her Face” -- , 5. Character’s Conduct -- , Notes -- , Index -- , About the Author , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : New York University Press
    UID:
    gbv_169658566X
    Format: 1 online resource (312 pages)
    Edition: 1st ed.
    ISBN: 9780814786536
    Series Statement: America and the Long 19th Century Ser
    Content: From the patricians of the early republic to post-Reconstruction racial scientists, from fin de siècle progressivist social reformers to post-war sociologists, character, that curiously formable yet equally formidable "stuff," has had a long and checkered history giving shape to the American national identity. Bodies of Reform reconceives this pivotal category of nineteenth-century literature and culture by charting the development of the concept of "character" in the fictional genres, social reform movements, and political cultures of the United States from the mid-nineteenth to the early-twentieth century. By reading novelists such as Herman Melville, Mark Twain, Pauline Hopkins, and Charlotte Perkins Gilman alongside a diverse collection of texts concerned with the mission of building character, including child-rearing guides, muscle-building magazines, libel and naturalization law, Scout handbooks, and success manuals, James B. Salazar uncovers how the cultural practices of representing character operated in tandem with the character-building strategies of social reformers. His innovative reading of this archive offers a radical revision of this defining category in U.S. literature and culture, arguing that character was the keystone of a cultural politics of embodiment, a politics that played a critical role in determining-and contesting-the social mobility, political authority, and cultural meaning of the raced and gendered body.
    Content: Intro -- Contents -- Acknowledgments -- Introduction: "The Grandest Thing in the World" -- 1 Philanthropic Taste: Race and Character in Herman Melville's The Confidence-Man -- 2 Character Is Capital: Manufacturing Habit in Mark Twain's Character Factory -- 3 Muscle Memory: Building the Body Politic of Character in Charlotte Perkins Gilman and the National Police Gazette -- 4 "A Story Written on Her Face": Pauline Hopkins's Unmaking of the Inherited Character of Race -- 5 Character's Conduct: Spaces of Interethnic Emulation in Jane Addams's "Charitable Effort" -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780814741306
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780814741306
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    almahu_9949597031902882
    Format: 1 online resource : , illustrations (black and white).
    ISBN: 9780814786536 (ebook) :
    Series Statement: America and the long 19th century
    Content: This work charts the development of the concept of 'character' in the fictional genres, social reform movements, and political cultures of the United States from the mid-19th to the early-20th century.
    Additional Edition: Print version : ISBN 9780814741306
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York :New York University Press,
    UID:
    edocfu_9959233485802883
    Format: 1 online resource (312 p.)
    Edition: 1st ed.
    ISBN: 0-8147-8653-7 , 0-8147-4132-0
    Series Statement: America and the long 19th century
    Content: From the patricians of the early republic to post-Reconstruction racial scientists, from fin de siècle progressivist social reformers to post-war sociologists, character, that curiously formable yet equally formidable “stuff,” has had a long and checkered history giving shape to the American national identity.Bodies of Reform reconceives this pivotal category of nineteenth-century literature and culture by charting the development of the concept of “character” in the fictional genres, social reform movements, and political cultures of the United States from the mid-nineteenth to the early-twentieth century. By reading novelists such as Herman Melville, Mark Twain, Pauline Hopkins, and Charlotte Perkins Gilman alongside a diverse collection of texts concerned with the mission of building character, including child-rearing guides, muscle-building magazines, libel and naturalization law, Scout handbooks, and success manuals, James B. Salazar uncovers how the cultural practices of representing character operated in tandem with the character-building strategies of social reformers. His innovative reading of this archive offers a radical revision of this defining category in U.S. literature and culture, arguing that character was the keystone of a cultural politics of embodiment, a politics that played a critical role in determining-and contesting-the social mobility, political authority, and cultural meaning of the raced and gendered body.
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. Philanthropic Taste -- , 2. Character Is Capital -- , 3. Muscle Memory -- , 4. “A Story Written on Her Face” -- , 5. Character’s Conduct -- , Notes -- , Index -- , About the Author , English
    Additional Edition: ISBN 0-8147-4131-2
    Additional Edition: ISBN 0-8147-4130-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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