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  • 1
    Online Resource
    Online Resource
    Athens, Georgia :University of Georgia Press,
    UID:
    almafu_9959238185702883
    Format: 1 online resource (161 pages) : , maps
    Edition: First edition.
    ISBN: 0-8203-4553-9 , 0-8203-4656-X
    Content: Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves--both black and Native American--made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories--uncovered for the first time during her research--of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.
    Note: Bibliographic Level Mode of Issuance: Monograph , Why South Carolina indigo? -- South Carolina indigo in British and Colonial wear -- South Carolina indigo in British textiles for the home and Colonial market -- South Carolina indigo in the dress of slaves and sovereign Indians -- Indigo cultivation and production in South Carolina -- Botanists, merchants, and planters in South Carolina : investments in indigo -- The role of indigo in native-colonist struggles over land and goods -- Producing South Carolina indigo: colonial planters and the skilled labor of slaves -- Indigo plantation histories -- Indigo and an East Florida plantation: overseer Indian Johnson walks away -- Slave John Williams: a key contributor to the Lucas-Pinckney indigo concern -- Conclusion. South Carolina indigo: a history of color. , English
    Additional Edition: ISBN 0-8203-3817-6
    Additional Edition: ISBN 1-299-95481-2
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Athens : University of Georgia Press
    UID:
    gbv_1659302617
    Format: Online-Ressource (161 p)
    Edition: Online-Ausg.
    ISBN: 9780820338170 , 9780820346564
    Content: Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue , Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experie
    Note: Description based upon print version of record , Cover; Contents; Acknowledgments; Introduction. Why South Carolina Indigo?; PART 1. South Carolina Indigo in British and Colonial Wear; Chapter 1. South Carolina Indigo in British Textiles for the Home and Colonial Market; Chapter 2. South Carolina Indigo in the Dress of Slaves and Sovereign Indians; PART 2. Indigo Cultivation and Production in South Carolina; Chapter 3. Botanists, Merchants, and Planters in South Carolina: Investments in Indigo; Chapter 4. The Role of Indigo in Native-Colonist Struggles over Land and Goods , Chapter 5. Producing South Carolina Indigo: Colonial Planters and the Skilled Labor of SlavesPART 3. Indigo Plantation Histories; Chapter 6. Indigo and an East Florida Plantation: Overseer Indian Johnson Walks Away; Chapter 7. Slave John Williams: A Key Contributor to the Lucas-Pinckney Indigo Concern; Conclusion. South Carolina Indigo: A History of Color; Notes; Index; A; B; C; D; E; F; G; I; L; M; N; O; P; Q; R; S; T; V; W; Y
    Additional Edition: ISBN 9780820346564
    Additional Edition: ISBN 0820345539
    Additional Edition: ISBN 9780820345536
    Additional Edition: Erscheint auch als Druck-Ausgabe Red, White, and Black Make Blue Indigo in the Fabric of Colonial South Carolina Life
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Book
    Book
    Athens, Ga. :Univ. of Georgia Press,
    UID:
    almafu_BV041824546
    Format: X, 140 S., [8] Bl. : , Ill.
    ISBN: 978-0-8203-3817-0 , 978-0-8203-4553-6
    Note: Includes bibliographical references and index , Why South Carolina indigo? -- South Carolina indigo in British and Colonial wear -- South Carolina indigo in British textiles for the home and Colonial market -- South Carolina indigo in the dress of slaves and sovereign Indians -- Indigo cultivation and production in South Carolina -- Botanists, merchants, and planters in South Carolina : investments in indigo -- The role of indigo in native-colonist struggles over land and goods -- Producing South Carolina indigo: colonial planters and the skilled labor of slaves -- Indigo plantation histories -- Indigo and an East Florida plantation: overseer Indian Johnson walks away -- Slave John Williams: a key contributor to the Lucas-Pinckney indigo concern -- Conclusion. South Carolina indigo: a history of color
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Athens, Georgia :University of Georgia Press,
    UID:
    almahu_9948318900202882
    Format: 1 online resource (161 pages) : , maps
    Edition: First edition.
    ISBN: 9780820346564 (e-book)
    Note: Why South Carolina indigo? -- South Carolina indigo in British and Colonial wear -- South Carolina indigo in British textiles for the home and Colonial market -- South Carolina indigo in the dress of slaves and sovereign Indians -- Indigo cultivation and production in South Carolina -- Botanists, merchants, and planters in South Carolina : investments in indigo -- The role of indigo in native-colonist struggles over land and goods -- Producing South Carolina indigo: colonial planters and the skilled labor of slaves -- Indigo plantation histories -- Indigo and an East Florida plantation: overseer Indian Johnson walks away -- Slave John Williams: a key contributor to the Lucas-Pinckney indigo concern -- Conclusion. South Carolina indigo: a history of color.
    Additional Edition: Print version: Feeser, Andrea. Red, white, & black make blue : indigo in the fabric of Colonial South Carolina life. Athens, Georgia : The University of Georgia Press, [2013] ISBN 9780820338170
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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