UID:
almafu_9959231662602883
Format:
1 online resource (229 p.)
Edition:
1st ed.
ISBN:
0-8203-4736-1
Series Statement:
New Southern Studies
Content:
Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial l
Note:
Description based upon print version of record.
,
American balladry and the anxiety of ancestry -- Country music and the souls of white folk -- Plantations, prisons, and the sounds of segregation -- The new Negro looks south -- Rethinking music and race in Jean Toomer's Cane -- Music and racial violence in William Faulkner's Sanctuary -- Coda : race, region, and the politics of hip-hop authenticity.
,
English
Additional Edition:
ISBN 0-8203-4737-X
Additional Edition:
ISBN 0-8203-4835-X
Language:
English
Keywords:
Electronic books.
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