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  • 1
    Online Resource
    Online Resource
    Durham, N.C. : Duke University Press | Berlin : Knowledge Unlatched
    UID:
    gbv_896610039
    Format: 1 Online-Ressource (xi, 275 Seiten) , Illustrationen
    ISBN: 9780822395331 , 0822395339
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Additional Edition: ISBN 9780822352433
    Additional Edition: ISBN 9780822352648
    Additional Edition: ISBN 0822352435
    Additional Edition: Erscheint auch als Druck-Ausgabe Karush, Matthew B., 1968 - Culture of class Durham, N.C. [u.a.] : Duke University Press, 2012 ISBN 9780822352433
    Additional Edition: ISBN 9780822352648
    Additional Edition: ISBN 0822352648
    Additional Edition: ISBN 0822352435
    Language: English
    Subjects: General works
    RVK:
    Keywords: Argentinien ; Rundfunk ; Film ; Geschichte 1920-1946
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almahu_9949420673602882
    Format: 1 online resource (xi, 275 p. : , ill.)
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    ISBN: 9780822395331 (electronic bk.) , 0822395339 (electronic bk.)
    Series Statement: e-Duke books scholarly collection.
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976.
    Additional Edition: Print version: Karush, Matthew B. (Matthew Benjamin), 1968- Culture of class. Durham, N.C. : Duke University Press, 2012 ISBN 9780822352433
    Additional Edition: ISBN 0822352435
    Additional Edition: ISBN 9780822352648
    Additional Edition: ISBN 0822352648
    Language: English
    Keywords: Electronic books. ; Electronic books
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1655475584
    Format: 1 online resource (xi, 275 p.
    ISBN: 9780822395331 , 0822395339
    Content: Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976.
    Note: Includes bibliographical references and index. - Description based on print version record
    Additional Edition: ISBN 9780822352433
    Additional Edition: Erscheint auch als Druck-Ausgabe Karush, Matthew B., 1968 - Culture of class Durham, N.C. [u.a.] : Duke University Press, 2012 ISBN 9780822352433
    Additional Edition: ISBN 9780822352648
    Additional Edition: ISBN 0822352648
    Additional Edition: ISBN 0822352435
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Argentinien ; Rundfunk ; Film ; Geschichte 1920-1946 ; Electronic books
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    b3kat_BV047062478
    Format: 1 Online-Ressource (xi, 275 Seiten) , Illustrationen)
    ISBN: 9780822395331 , 0822395339
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture
    Note: Includes bibliographical references and index , Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780822352648
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0822352648
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780822352433
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0822352435
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780822352433
    Language: English
    Subjects: General works
    RVK:
    Keywords: Argentinien ; Film ; Rundfunk ; Geschichte 1920-1946
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    kobvindex_HPB1256592853
    Format: 1 electronic resource (xi, 275 pages) : , illustrations
    ISBN: 9780822395331 , 0822395339
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976.
    Additional Edition: Print version: Karush, Matthew B. (Matthew Benjamin), 1968- Culture of class. Durham : Duke University Press, 2012 ISBN 9780822352433
    Additional Edition: ISBN 9780822352648
    Language: English
    Keywords: Electronic books. ; History.
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    almahu_BV039901494
    Format: XI, 275 S. : , Ill.
    ISBN: 978-0-8223-5243-3 , 0-8223-5243-5 , 978-0-8223-5264-8 , 0-8223-5264-8
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture
    Note: Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976
    Language: English
    Subjects: General works
    RVK:
    Keywords: Film ; Rundfunk
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9958391239602883
    Format: 1 online resource (290 p.)
    ISBN: 1-280-68731-2 , 9786613664259 , 0-8223-9533-9
    Series Statement: e-Duke books scholarly collection.
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Description based upon print version of record. , Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976. , English
    Additional Edition: ISBN 0-8223-5243-5
    Additional Edition: ISBN 0-8223-5264-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edoccha_9958391239602883
    Format: 1 online resource (290 p.)
    ISBN: 1-280-68731-2 , 9786613664259 , 0-8223-9533-9
    Series Statement: e-Duke books scholarly collection.
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Description based upon print version of record. , Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976. , English
    Additional Edition: ISBN 0-8223-5243-5
    Additional Edition: ISBN 0-8223-5264-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almahu_9949419521002882
    Format: 1 online resource (290 p.)
    ISBN: 1-280-68731-2 , 9786613664259 , 0-8223-9533-9
    Series Statement: e-Duke books scholarly collection.
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Description based upon print version of record. , Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976. , English
    Additional Edition: ISBN 0-8223-5243-5
    Additional Edition: ISBN 0-8223-5264-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9958391239602883
    Format: 1 online resource (290 p.)
    ISBN: 1-280-68731-2 , 9786613664259 , 0-8223-9533-9
    Series Statement: e-Duke books scholarly collection.
    Content: Major change came to Argentina during the first decades of the twentieth century. Following the mass influx of European immigrants to the country during the beginning of the century, a truly national culture was produced through mass media, facilitating the assimilation of immigrants and their descendants. New forms of media emerged, such as radio and cinema, as did new forms of entertainment, such as tango songs, films, and radio theater. Yet despite the unifying effect of popular culture, the nation remained divided, and, if anything, more so in 1950 than in 1910. This book argues that the key to understanding this paradox lies in a reassessment of the mass culture of the 1920s and 1930s. With a focus on film and radio in and around Buenos Aires, the locus of production as well as much of the market consumption, Karush shows how integration and class fractures occurred simultaneously in a short span of the country's history. He brings together the usually separated subjects of radio and cinema to show how they can combine to gauge a larger cultural and political environment and shed light on class distinctions. The book contributes to an ongoing discussion of the relationship between power and mass culture. It will be of interest to scholars of cultural history and urban studies and those interested in Latin American history and culture.
    Note: Description based upon print version of record. , Class formation in the barrios -- Competing in the transnational marketplace -- Repackaging popular melodrama -- Mass-cultural nation building -- Politicizing populism -- Epilogue: The rise of the middle class, 1955-1976. , English
    Additional Edition: ISBN 0-8223-5243-5
    Additional Edition: ISBN 0-8223-5264-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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