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  • 1
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    almahu_9949419519502882
    Umfang: 1 online resource (386 pages) : , illustrations, graphs
    ISBN: 1-4780-9034-0 , 0-8223-6935-4
    Inhalt: Traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. The author identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp - a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience - that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, the author outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, the author remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
    Anmerkung: Approaching the absolute -- Idealizing music -- Haydn's difference -- Entertaining possibilities in Haydn's symphonies -- Haydn, the string quartet, and the (d)evolution of the chamber ideal -- New world dualities -- Popular music contra German idealism: Anglo-American rebellions from minstrelsy to camp -- "Popular music" qua German idealism: authenticity and its outliers -- Musical virtues and vices in the latter-day new world -- Appendix a: More extended musical examples -- Appendix b: Listing of video examples from films.
    Weitere Ausg.: ISBN 0-8223-6950-8
    Weitere Ausg.: ISBN 0-8223-7240-1
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    gbv_896613844
    Umfang: 1 Online-Ressource (xix, 380 Seiten) , Illustrationen, Notenbeispiele
    ISBN: 0822372401 , 0822369354 , 9780822372400 , 9780822369356
    Inhalt: Approaching the absolute -- Idealizing music -- Haydn's difference -- Entertaining possibilities in Haydn's symphonies -- Haydn, the string quartet, and the (d)evolution of the chamber ideal -- New world dualities -- Popular music contra German idealism: Anglo-American rebellions from minstrelsy to camp -- "Popular music" qua German idealism: authenticity and its outliers -- Musical virtues and vices in the latter-day new world -- Appendix a: More extended musical examples -- Appendix b: Listing of video examples from films
    Sprache: Englisch
    Schlagwort(e): Haydn, Joseph 1732-1809 ; Deutschland ; Idealismus ; Rezeption ; USA ; Unterhaltungsmusik ; Geschichte 1830-1930 ; Musikanschauung ; Musikleben ; Deutschland ; Deutscher Idealismus ; Musikphilosophie ; Musikästhetik
    URL: Volltext  (kostenfrei)
    Mehr zum Autor: Knapp, Raymond 1952-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Durham ; London :Duke University Press,
    UID:
    almahu_BV044826247
    Umfang: xix, 380 Seiten : , Illustrationen.
    ISBN: 978-0-8223-6950-9 , 978-0-8223-6935-6
    Inhalt: In Making Light Raymond Knapp traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. Knapp identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp—a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience—that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, Knapp outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, Knapp remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music. -
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-8223-7240-0
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft , Philosophie
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): 1732-1809 Haydn, Joseph ; Idealismus ; Rezeption ; Musik ; Musikleben
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Mehr zum Autor: Knapp, Raymond, 1952-,
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    kobvindex_HPB1004376539
    Umfang: 1 online resource (xix, 380 pages)
    Ausgabe: Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011.
    ISBN: 9780822372400 , 0822372401
    Serie: Music and sound collection
    Inhalt: Traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. The author identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp -- a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience -- that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, the author outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, the author remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
    Anmerkung: Approaching the absolute -- Idealizing music -- Haydn's difference -- Entertaining possibilities in Haydn's symphonies -- Haydn, the string quartet, and the (d)evolution of the chamber ideal -- New world dualities -- Popular music contra German idealism: Anglo-American rebellions from minstrelsy to camp -- "Popular music" qua German idealism: authenticity and its outliers -- Musical virtues and vices in the latter-day new world -- Appendix A : More extended musical examples -- Appendix B : Listing of video examples from films. , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
    In: OAPEN (Open Access Publishing in European Networks), OAPEN
    Weitere Ausg.: Print version: Knapp, Raymond. Making light. Durham : Duke University Press, 2018 ISBN 9780822369356
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
    URL: Duke
    URL: JSTOR
    URL: OAPEN
    URL: University of Alberta Access  ((Unlimited Concurrent Users))
    URL: Image  (Thumbnail cover image)
    URL: Full text available: 2018.  (Available in Project Muse Open Access ebooks.)
    URL: Full text available: 2018.  (Available in OAPEN (Open Access Publishing in European Networks).)
    URL: Image  (Thumbnail cover image)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    edoccha_9958362678802883
    Umfang: 1 online resource (386 pages) : , illustrations, graphs
    ISBN: 1-4780-9034-0 , 0-8223-6935-4
    Inhalt: Traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. The author identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp - a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience - that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, the author outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, the author remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
    Anmerkung: Approaching the absolute -- Idealizing music -- Haydn's difference -- Entertaining possibilities in Haydn's symphonies -- Haydn, the string quartet, and the (d)evolution of the chamber ideal -- New world dualities -- Popular music contra German idealism: Anglo-American rebellions from minstrelsy to camp -- "Popular music" qua German idealism: authenticity and its outliers -- Musical virtues and vices in the latter-day new world -- Appendix a: More extended musical examples -- Appendix b: Listing of video examples from films.
    Weitere Ausg.: ISBN 0-8223-6950-8
    Weitere Ausg.: ISBN 0-8223-7240-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    edocfu_9958362678802883
    Umfang: 1 online resource (386 pages) : , illustrations, graphs
    ISBN: 1-4780-9034-0 , 0-8223-6935-4
    Inhalt: Traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. The author identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp - a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience - that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, the author outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, the author remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
    Anmerkung: Approaching the absolute -- Idealizing music -- Haydn's difference -- Entertaining possibilities in Haydn's symphonies -- Haydn, the string quartet, and the (d)evolution of the chamber ideal -- New world dualities -- Popular music contra German idealism: Anglo-American rebellions from minstrelsy to camp -- "Popular music" qua German idealism: authenticity and its outliers -- Musical virtues and vices in the latter-day new world -- Appendix a: More extended musical examples -- Appendix b: Listing of video examples from films.
    Weitere Ausg.: ISBN 0-8223-6950-8
    Weitere Ausg.: ISBN 0-8223-7240-1
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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