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  • 1
    Buch
    Buch
    Durham, NC [u.a.] :Duke Univ. Press,
    UID:
    almahu_BV040936383
    Umfang: XIX, 338 S. : , Ill., Notenbeisp.
    ISBN: 978-0-8223-5468-0 , 978-0-8223-5479-6 , 978-0-8223-7828-0
    Serie: Knowledge unlatched pilot collection
    Anmerkung: Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich. , Teilw. zugl.: Illionois, Univ., Diss., 2006
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Palästinenser ; Widerstand ; Musik ; Nationalismus ; Lyrik ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Durham, NC [u.a.] :Duke Univ. Press,
    UID:
    almahu_BV041827511
    Umfang: 1 Online-Ressource (XIX, 338 S.) : , Ill., Notenbeisp.
    ISBN: 978-0-8223-7828-0
    Serie: Knowledge unlatched pilot collection
    Anmerkung: Teilw. zugl.: Illinois, Univ., Diss., 2006
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Palästinenser ; Widerstand ; Musik ; Nationalismus ; Lyrik ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    s.l. : Duke University Press
    UID:
    gbv_865755043
    Umfang: 1 Online-Ressource (1 electronic resource (360 p.))
    ISBN: 9780822378280 , 9780822354680 , 9780822354796
    Inhalt: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched
    Sprache: Unbestimmte Sprache
    Schlagwort(e): Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    UID:
    gbv_1030560110
    Umfang: Online-Ressource
    Ausgabe: Knowledge unlatched pilot collection
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Serie: Knowledge Unlatched
    Inhalt: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Inhalt: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Anmerkung: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    Weitere Ausg.: ISBN 9780822378280
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    RVK:
    Schlagwort(e): Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    URL: Cover  (Thumbnail cover image)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    edocfu_9959646205902883
    Umfang: 1 online resource (xix, 338 pages) : , illustrations.
    ISBN: 9780822378280 , 0822378280
    Serie: Knowledge Unlatched.
    Inhalt: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher.
    Anmerkung: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank.
    Sprache: Englisch
    URL: OAPEN
    URL: OAPEN
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    edoccha_9959646205902883
    Umfang: 1 online resource (xix, 338 pages) : , illustrations.
    ISBN: 9780822378280 , 0822378280
    Serie: Knowledge Unlatched.
    Inhalt: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher.
    Anmerkung: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank.
    Sprache: Englisch
    URL: OAPEN
    URL: OAPEN
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    UID:
    gbv_1830095145
    Umfang: 1 online resource (359 pages)
    ISBN: 9780822378280
    Inhalt: David A. McDonald presents an ethnographic study of the role of music and musicians in the Palestinian struggle for self-determination.
    Inhalt: Intro -- Contents -- Illustrations -- Note on Transliterations -- Note on Accessing Performance Videos -- Acknowledgments -- Introduction -- Chapter 1. Nationalism, Belonging, and the Performativity of Resistance -- Chapter 2. Poets, Singers, and Songs: Voices in the Resistance Movement (1917-1967) -- Chapter 3. Al-Naksa and the Emergence of Political Song (1967-1987) -- Chapter 4. The First Intifada and the Generation of Stones (1987-2000) -- Chapter 5. Revivals and New Arrivals: The al-Aqsa Intifada (2000-2010) -- Chapter 6. "My Songs Can Reach the Whole Nation": Baladna and Protest Song in Jordan -- Chapter 7. Imprisonment and Exile: Negotiating Power and Resistance in Palestinian Protest Song -- Chapter 8. New Directions and New Modalities: Palestinian Hip-Hop in Israel -- Chapter 9. "Carrying Words Like Weapons": DAM Brings Hip-Hop to the West Bank -- Epilogue -- Appendix: Song Lyric Transliterations -- Notes -- Bibliography -- Index.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Weitere Ausg.: ISBN 9780822354680
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780822354680
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    kobvindex_HPB860713253
    Umfang: 1 online resource (xix, 338 pages) : , illustrations
    Ausgabe: Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011.
    ISBN: 9780822378280 , 0822378280
    Inhalt: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Anmerkung: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank. , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English.
    Weitere Ausg.: Print version: McDonald, David A., 1976- My voice is my weapon. Durham : Duke University Press, 2013 ISBN 9780822354680
    Weitere Ausg.: ISBN 9780822354796
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books. ; Criticism, interpretation, etc.
    URL: DOAB
    URL: JSTOR
    URL: OAPEN
    URL: OAPEN
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    almahu_9949420655902882
    Umfang: 1 online resource (xix, 338 pages) : , illustrations
    ISBN: 0822378280 , 9780822378280
    Serie: e-Duke books scholarly collection.
    Anmerkung: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank.
    Weitere Ausg.: Print version: McDonald, David A., 1976- My voice is my weapon. Durham : Duke University Press, 2013 ISBN 9780822354680
    Weitere Ausg.: ISBN 9780822354796
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    edoccha_9958087823602883
    Umfang: 1 online resource (xix, 338 pages) : , illustrations; digital file(s).
    ISBN: 0-8223-7828-0
    Inhalt: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues.
    Anmerkung: Description based upon print version of record. , Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The first Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank. , Also available in print form. , English
    Weitere Ausg.: Print version: ISBN 9780822354680
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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