Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Years
Person/Organisation
Subjects(RVK)
Keywords
Access
  • 1
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9959673961302883
    Format: 1 online resource (232 p.) : , 72 illustrations, including 16 page color insert
    ISBN: 9780822394938
    Content: Brazilian Art under Dictatorship is a sophisticated analysis of the intersection of politics and the visual arts during the most repressive years of Brazil's military regime, from 1968 until 1975. Raised in Rio de Janeiro during the dictatorship, the curator and art historian Claudia Calirman describes how Brazilian visual artists addressed the political situation and opened up the local art scene to new international trends. Focusing on innovative art forms infused with a political undertone, Calirman emphasizes the desire among Brazilian artists to reconcile new modes of art making with a concern for local politics. Ephemeral works, such as performance art, media-based art, and conceptualism, were well suited to the evasion of censorship and persecution. Calirman examines the work and careers of three major artists of the period, Antonio Manuel, Artur Barrio, and Cildo Meireles. She explores the ways that they negotiated the competing demands of Brazilian politics and the international art scene, the efficacy of their political critiques, and their impact on Brazilian art and culture. Calirman suggests that the art of the late 1960s and early 1970s represented not just the artists' concerns with politics, but also their anxieties about overstepping the boundaries of artistic expression.
    Note: Frontmatter -- , Contents -- , List of Illustrations -- , Preface and Acknowledgments -- , Abbreviations and a Note on Translation -- , Introduction -- , 1. “Non à la Biennale de São Paulo” -- , 2. ANTONIO MANUEL: “Experimental Exercise of Freedom” -- , 3. ARTUR BARRIO: A New Visual Aesthetics -- , 4. CILDO MEIRELES: Clandestine Art -- , Conclusion: Opening the Wounds, Longing for Closure -- , Appendix 1. Dossier “Non à la Biennale de São Paulo” -- , Appendix 2. Chronology of Exhibitions -- , Notes -- , Bibliography -- , Index , In English.
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    edocfu_9959677613802883
    Format: 1 online resource (248 p.)
    ISBN: 9786613582553 , 0-8223-9493-6 , 1-280-48732-1
    Series Statement: e-Duke books scholarly collection.
    Content: After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
    Note: Description based upon print version of record. , Non la biennale de Sao Paulo -- Antonio Manuel: experimental exercise of freedom? -- Artur Barrio: a visual aesthetics for the third world -- Cildo Meireles: an explosive art -- Conclusion: Opening the wounds : longing for closure. , English
    Additional Edition: ISBN 0-8223-5153-6
    Additional Edition: ISBN 0-8223-5139-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9959677613802883
    Format: 1 online resource (248 p.)
    ISBN: 9786613582553 , 0-8223-9493-6 , 1-280-48732-1
    Series Statement: e-Duke books scholarly collection.
    Content: After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
    Note: Description based upon print version of record. , Non la biennale de Sao Paulo -- Antonio Manuel: experimental exercise of freedom? -- Artur Barrio: a visual aesthetics for the third world -- Cildo Meireles: an explosive art -- Conclusion: Opening the wounds : longing for closure. , English
    Additional Edition: ISBN 0-8223-5153-6
    Additional Edition: ISBN 0-8223-5139-0
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean 9780822394983?
Did you mean 9780821394908?
Did you mean 9780821394939?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages