Umfang:
1 Online-Ressource (vii, 161 pages)
,
illustrations, charts, figures, tables
Ausgabe:
Also issued in print and PDF version
ISBN:
0823280780
,
9780823280780
Inhalt:
The movies and the masses erupted on the world stage together. In a few decades around the turn of the twentieth century, millions of persons who rarely could afford a night at the theater and had never voted in an election became regular paying customers at movie palaces and proud members of new political parties. The question of how to represent these new masses fascinated and plagued politicians and filmmakers alike. Michael Tratner examines the representations of masses?the crowd scenes?in Hollywood films from The Birth of a Nation through such popular love stories as Gone with the Wind, The Sound of Music, and Dr. Zhivago. He then contrasts these with similar scenes in early Soviet and Nazi films. What emerges is a political debate being carried out in filmic style. In both sets of films, the crowd is represented as a seething cauldron of emotions
Inhalt:
Movies and the history of crowd psychology -- Collective spectatorship -- Constructing public institutions and private sexuality : The birth of a nation and Intolerance -- The passion of mass politics in the most popular love stories -- Loving the crowd : transformations of gender in early Soviet and Nazi films -- From love of the state to the state of love : Fritz Lang's move from Weimar to Hollywood
Anmerkung:
Includes bibliographical references and indexes
,
Also issued in print and PDF version.
,
In English
Weitere Ausg.:
ISBN 9780823229017
Weitere Ausg.:
ISBN 9780823229024
Weitere Ausg.:
Print version Crowd Scenes, Movies and Mass Politics New York : Fordham University Press
Sprache:
Englisch
Fachgebiete:
Allgemeines
Schlagwort(e):
Film
;
Massenszene
;
Electronic books
URL:
View this content on Open Research Library
URL:
http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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