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  • 1
    UID:
    b3kat_BV043362306
    Format: x, 285 Seiten , Illustrationen
    Edition: First edition
    ISBN: 9780823268245 , 9780823268252
    Series Statement: Forms of living
    Content: "Benjamin Christensen's Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of "hysterics" and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of "documentary" and "fiction". Baxstrom and Meyers reveal how Christensen's attempt to tame the irrationality of "the witch" risked validating the very "nonsense" that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe--Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless "know" to be there"--
    Note: Titel ist im Rahmen der Initiative Knowledge Unlachted frei zugänglich
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8232-7487-1 10.1515/9780823268276
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9780823268276 10.1515/9780823268276
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: Häxan
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York, NY :Fordham University Press,
    UID:
    almafu_9959615218002883
    Format: 1 online resource (296 p.)
    ISBN: 9780823268276
    Series Statement: Forms of Living
    Content: Benjamin Christensen’s Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of female “hysterics” and the mentally ill.In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of “documentary” and “fiction.” Baxstrom and Meyers reveal how Christensen’s attempt to tame the irrationality of “the witch” risked validating the very "nonsense" that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless “know” to be there.
    Note: Frontmatter -- , Contents -- , Introduction. What Is Häxan? -- , The Witch in the Human Sciences and the Mastery of Nonsense -- , One. Evidence, First Movement: Words and Things -- , Two. Evidence, Second Movement: Tableaux and Faces -- , Three. The Viral Character of the Witch -- , Four. Demonology -- , 1922 -- , Five. Sex, Touch, and Materiality -- , Six. Possession and Ecstasy -- , Seven. Hysterias -- , Postscript. It Is Very Hard to Believe . . . -- , Acknowledgments -- , Notes -- , Benjamin Christensen’s Cited Source Material -- , Filmography -- , Bibliography -- , Index , In English.
    Language: English
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_BV043362306
    Format: x, 285 Seiten : , Illustrationen.
    Edition: First edition
    ISBN: 978-0-8232-6824-5 , 978-0-8232-6825-2
    Series Statement: Forms of living
    Content: "Benjamin Christensen's Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of "hysterics" and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of "documentary" and "fiction". Baxstrom and Meyers reveal how Christensen's attempt to tame the irrationality of "the witch" risked validating the very "nonsense" that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe--Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless "know" to be there"--
    Note: Titel ist im Rahmen der Initiative Knowledge Unlachted frei zugänglich
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8232-7487-1 10.1515/9780823268276
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 9780823268276 10.1515/9780823268276
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: Häxan
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    New York :Fordham University Press,
    UID:
    edoccha_9960782128302883
    Format: 1 online resource (297 p.)
    ISBN: 0-8232-6827-6
    Series Statement: Forms of living
    Content: Realizing the Witch follows the unfolding of Benjamin Christensen's visual narrative in his 1922 film, Häxan (The Witch). Through a close reading of Häxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas.
    Note: Description based upon print version of record. , Cover; Contents; Introduction: What Is Häxan?; Part I. The Realization of the Witch; The Witch in the Human Sciences and the Mastery of Nonsense; 1. Evidence, First Movement: Words and Things; 2. Evidence, Second Movement: Tableaux and Faces; 3. The Viral Character of the Witch; 4. Demonology; Part II. A Mobile Force in the Modern Age; 1922; 5. Sex, Touch, and Materiality; 6. Possession and Ecstasy; 7. Hysterias; Postscript: It Is Very Hard to Believe . . .; Acknowledgments; Notes; Benjamin Christensen's Cited Source Material; Filmography; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K , LM; N; O; P; R; S; T; U; V; W; Y; Z
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New York :Fordham University Press,
    UID:
    almahu_9949329037802882
    Format: 1 online resource (297 p.)
    ISBN: 0-8232-6827-6
    Series Statement: Forms of living
    Content: Realizing the Witch follows the unfolding of Benjamin Christensen's visual narrative in his 1922 film, Häxan (The Witch). Through a close reading of Häxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas.
    Note: Description based upon print version of record. , Cover; Contents; Introduction: What Is Häxan?; Part I. The Realization of the Witch; The Witch in the Human Sciences and the Mastery of Nonsense; 1. Evidence, First Movement: Words and Things; 2. Evidence, Second Movement: Tableaux and Faces; 3. The Viral Character of the Witch; 4. Demonology; Part II. A Mobile Force in the Modern Age; 1922; 5. Sex, Touch, and Materiality; 6. Possession and Ecstasy; 7. Hysterias; Postscript: It Is Very Hard to Believe . . .; Acknowledgments; Notes; Benjamin Christensen's Cited Source Material; Filmography; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K , LM; N; O; P; R; S; T; U; V; W; Y; Z
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    New York :Fordham University Press,
    UID:
    edocfu_9960782128302883
    Format: 1 online resource (297 p.)
    ISBN: 0-8232-6827-6
    Series Statement: Forms of living
    Content: Realizing the Witch follows the unfolding of Benjamin Christensen's visual narrative in his 1922 film, Häxan (The Witch). Through a close reading of Häxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas.
    Note: Description based upon print version of record. , Cover; Contents; Introduction: What Is Häxan?; Part I. The Realization of the Witch; The Witch in the Human Sciences and the Mastery of Nonsense; 1. Evidence, First Movement: Words and Things; 2. Evidence, Second Movement: Tableaux and Faces; 3. The Viral Character of the Witch; 4. Demonology; Part II. A Mobile Force in the Modern Age; 1922; 5. Sex, Touch, and Materiality; 6. Possession and Ecstasy; 7. Hysterias; Postscript: It Is Very Hard to Believe . . .; Acknowledgments; Notes; Benjamin Christensen's Cited Source Material; Filmography; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K , LM; N; O; P; R; S; T; U; V; W; Y; Z
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    New York : Fordham University Press
    UID:
    gbv_1008664790
    ISBN: 9780823268283 , 0823268284 , 9780823274871 , 082327487X , 9780823268276 , 0823268276 , 0823268268 , 082326825X , 9780823268269 , 9780823268245 , 9780823268252 , 0823268241
    Series Statement: Forms of living
    Content: "Benjamin Christensen's Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of "hysterics" and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of "documentary" and "fiction". Baxstrom and Meyers reveal how Christensen's attempt to tame the irrationality of "the witch" risked validating the very "nonsense" that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe--Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless "know" to be there"--
    Content: Introduction: What Is Häxan? -- Part I: The realization of the witch: the witch in the human sciences and the mastery of nonsense -- Evidence, first movement: words and things -- Evidence, second movement: tableaux and faces -- The viral character of the witch -- Demonology -- Part II: A mobile force in the modern age: 1922 -- Sex, touch, and materiality -- Possession and ecstasy -- Hysterias -- Postscript: it is very hard to believe
    Note: Includes bibliographical references and index -- Includes filmography , English
    Additional Edition: ISBN 9780823268245
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780823268245
    Additional Edition: Print version
    Language: English
    Keywords: Christensen, Benjamin 1879-1959 ; Häxan ; Electronic books
    URL: Volltext  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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