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  • 1
    Online Resource
    Online Resource
    Women through the lens : gender and nation in a century of Chinese cinema (2003)
    Honolulu :University of Hawaii Press,
    Details
    UID:
    almafu_9958078685702883
    Format: 1 online resource (339 pages)
    ISBN: 9780824865634 , 0824865634 , 9780585479149 , 0585479143
    Content: Women Through the Lens raises the question of how gender, especially the image of woman, acts as a visual and discursive sign in the creation of the nation-state in twentieth-century China. Tracing the history of Chinese cinema through the last hundred years from the perspective of transnational feminism, Shuqin Cui reveals how women have been granted a "privileged visibility" on screen while being denied discursive positions as subjects. In addition, her careful attention to the visual language system of cinema shows how "woman" has served as the site for the narration of nation in the context of China's changing social and political climate. Placing gender and nation in a historical framework, the book first shows how early productions had their roots in shadow plays, a popular form of public entertainment. In examining the "Red Classics" of socialist cinema as a mass cultural form, the book shows how the utopian vision of emancipating the entire proletariat, women included, produced a collective ideology that declared an end to gender difference. Cui then documents and discusses the cinematic spectacle of woman as essential to such widely popular films as Chen Kaige's "Farewell My Concubine" and Zhang Yimou's "Ju Do." Finally, the author brings a feminist perspective to the issues of gender and nation by turning her attention to women directors and their self-representations.
    Note: pt. 1. Early production -- pt. 2. Socialist cinema -- pt. 3. The new wave -- pt. 4. Women's films. , Issued also in print. , English.
    Additional Edition: ISBN 9780824832964
    Additional Edition: ISBN 0824832965
    Additional Edition: ISBN 9780824825324
    Additional Edition: ISBN 0824825322
    Language: English
    Subjects: General works
    RVK:
    AP 59761
    Keywords: Electronic books. ; Electronic books ; Electronic books
    DOI: 10.1515/9780824865634
    URL: Full text  (Click to View (Currently Only Available on Campus))
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext
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    Stabi Berlin
    FU Berlin
    HWR Berlin
    Berlin International
    UB Potsdam
    EUV Frankfurt
    TH Brandenburg
    HTW Berlin
    Charité
    BTU Cottbus
    TU Berlin
    HNE Eberswalde
  • 2
    Book
    Book
    Women through the lens : gender and nation in a century of Chinese cinema (2003)
    Honolulu :Univ. of Hawai'i Pr.,
    Details
    UID:
    almafu_BV014595109
    Format: xxvi, 304 p. : ill.
    ISBN: 0-8248-2532-2
    Note: Includes bibliographical references (p. [287]-297) and index -- Filmography: p. [249]-267
    Language: English
    Subjects: General works
    RVK:
    AP 59662
    Keywords: Film ; Geschlechterverhältnis ; Film ; Geschlechterrolle ; Nation ; Film ; Geschlechterrolle ; Nation
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    Stabi Berlin get availability status
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  • 3
    Online Resource
    Online Resource
    Women through the lens : gender and nation in a century of Chinese cinema (2010)
    Honolulu : University of Hawaiʻi Press
    Details
    UID:
    gbv_1003568173
    Format: 1 Online-Ressource (xxvi, 304 pages) , illustrations
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
    ISBN: 0824825322 , 0824832965 , 0585479143 , 0824865634 , 9780824825324 , 9780824832964 , 9780585479149 , 9780824865634
    Content: Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
    Note: Includes bibliographical references (pages 287-297) and index -- Filmography: pages 249-267 , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
    Additional Edition: ISBN 0824825322
    Additional Edition: ISBN 9780824825324
    Additional Edition: Erscheint auch als Druck-Ausgabe Cui, Shuqin Women through the lens Honolulu : University of Hawaiʻi Press, ©2003
    Language: English
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
    Stabi Berlin
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