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  • 1
    Book
    Book
    Cambridge, Massachusetts :The MIT Press, | Whitechapel Gallery :London.
    UID:
    almahu_BV043348027
    Format: 239 Seiten.
    ISBN: 978-0-262-52809-2 , 978-0-85488-237-3
    Series Statement: Documents of contemporary art
    Content: Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation
    Note: Includes bibliographical references and index , Introduction -- Follow the materials -- The living fire of labour -- Formless blobs and trahs flows -- Bodies that matter -- Nature after nature -- Rematerialization of the void -- Materialities of media〈br〉〈br〉Artists surveyed include Georges Adéagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoumè, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker〈br〉〈br〉Writers include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-François Lyotard, Dietmar Rübel, Monika Wagner, Gillian Whiteley
    Language: English
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    Keywords: Kunst ; Theorie ; Ästhetik ; Künstlerisches Material ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Lange-Berndt, Petra.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge 〈Mass.〉 : MIT Press
    UID:
    kobvindex_KHB0031688
    Format: 239 Seiten
    ISBN: 978-0-262-52809-2 , 978-0-85488-237-3
    Series Statement: Documents of contemporary art
    Content: Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation
    Note: Text englisch. Includes bibliographical references and index
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_822144824
    Format: 239 Seiten
    ISBN: 9780262528092 , 9780854882373 , 0262528096
    Series Statement: Documents of contemporary art
    Uniform Title: Materiality
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 228-231 , "Marjorie Allthorpe-Guyton//Joseph A. Amato//Amy Balkin//Karen Barad//Pennina Barnett//Artur Barrio [und 71 andere]" - Vortitelseite
    Language: English
    Subjects: Ethnology
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    Keywords: Kunst ; Materialität ; Theorie ; Ästhetik ; Geschichte 1970-2015 ; Anthologie ; Aufsatzsammlung
    Author information: Barad, Karen 1956-
    Author information: Lange-Berndt, Petra
    Library Location Call Number Volume/Issue/Year Availability
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