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  • 1
    Online-Ressource
    Online-Ressource
    London [England] : I.B. Tauris & Co. Ltd | [London, England] : Bloomsbury Publishing
    UID:
    gbv_169475278X
    Umfang: 1 Online-Ressource (viii, 196 pages) , illustrations
    Ausgabe: First edition
    Ausgabe: Also available in print
    ISBN: 0857720120 , 1848858515 , 9780755603602 , 9780857720122 , 9781848858510 , 9780857720122
    Inhalt: Introduction -- Minimalism and subjectivity : aesthetics and the anti-aesthetic tradition -- Feeling and late Modern Art -- Participation, affect and the body : Lygia Clark -- Eva Hesse's late sculptures : elusive expression and unconscious affect -- Ana Mendieta : affect miniaturization, emotional ties and the Silueta Series -- The dream of the audience : the moving images of Theresa Hak Kyung Cha -- Conclusion : which anthropomorphism?
    Inhalt: Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher
    Anmerkung: Includes bibliographical references and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781848858510
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Best, Susan Visualizing feeling London : I.B. Tauris, 2011
    Sprache: Englisch
    Schlagwort(e): Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    London : I.B. Tauris
    UID:
    b3kat_BV043168278
    Umfang: 1 Online-Ressource (viii, 145 Seiten)
    ISBN: 9780857720122 , 9780755603602 , 0857720120 , 9780857720122 , 0857720120
    Anmerkung: Illustrations; Acknowledgements; Introduction; 1. Minimalism and Subjectivity: Aesthetics and the Anti-Aesthetic Tradition; 2. Feeling and Late Modern Art; 3. Participation, Affect and the Body: Lygia Clark; 4. Eva Hesse's Late Sculptures: Elusive Expression and Unconscious Affect; 5. Ana Mendieta: Affect Miniaturization, Emotional Ties and the Silueta Series; 6. The Dream of the Audience: The Moving Image of Theresa Hak Kyung Cha; Conclusion: Which Anthropomorphism?; Notes; Bibliography; Index , Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-8488-5851-0
    Sprache: Englisch
    Fachgebiete: Soziologie
    RVK:
    RVK:
    Schlagwort(e): Frauenkunst ; Avantgarde ; Gefühl ; Affekt
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    London [England] :I.B. Tauris & Co. Ltd, | [London, England] :Bloomsbury Publishing,
    UID:
    almafu_9960964508802883
    Umfang: 1 online resource (205 p.)
    Ausgabe: First edition.
    ISBN: 0-7556-0360-5 , 0-85773-131-9 , 1-283-29223-8 , 9786613292230 , 0-85772-012-0
    Inhalt: Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher.
    Anmerkung: Description based upon print version of record. , Introduction -- Minimalism and subjectivity : aesthetics and the anti-aesthetic tradition -- Feeling and late Modern Art -- Participation, affect and the body : Lygia Clark -- Eva Hesse's late sculptures : elusive expression and unconscious affect -- Ana Mendieta : affect miniaturization, emotional ties and the Silueta Series -- The dream of the audience : the moving images of Theresa Hak Kyung Cha -- Conclusion : which anthropomorphism? , Also available in print. , English
    Weitere Ausg.: ISBN 1-78076-709-9
    Weitere Ausg.: ISBN 1-84885-851-5
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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