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  • 1
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almafu_9960117883302883
    Format: 1 online resource (xv, 288 pages) : , digital, PDF file(s).
    ISBN: 1-78204-958-4
    Series Statement: Royal Historical Society studies in history
    Content: In nineteenth-century Britain, public debates about the nation's moral health and about men's and women's responsibility for it were shaped decisively by a tradition of female moralists. This book looks at the cultural criticism of eight of the most significant of these writers: Anna Jameson, Hannah Lawrance, Margaret Oliphant, Marian Evans ('George Eliot'), Eliza Lynn Linton, Beatrice Hastings, Rebecca West and Virginia Woolf, providing a detailed and compelling account of how their writing on history, literature and visual art changed contemporaries' understanding of the lessons to be drawnfrom each field at the same time as they contested and redefined contemporary understandings of masculinity and femininity. It recovers these moralists' understanding of themselves as part of a tradition of women of letters stretching from eighteenth-century bluestockings to their own time, and the growing consensus across the political range of periodicals that women's intellectual potential wasequal to men's, and not determined by their sex.〈BR〉〈BR〉 Benjamin Dabby is an independent historian.
    Note: Title from publisher's bibliographic system (viewed on 30 Oct 2017). , List of illustrations -- Acknowledgements -- Abbreviations -- Introduction. Part 1 History and the present : Anna Jameson and the use of picturesque history -- Hannah Lawrance and the claims of women's history -- Margaret Oliphant and the lessons of eighteenth-century history. Part 2 Literature, art and life : Anna Jameson, cultural authority and public moralism -- Beautiful and useful arts in Hannah Lawrance's cultural criticism -- Marian Evans's cultural criticism in the context of women's public moralism. Part 3 Change and continuity from the fin-de-si�ecle to modernity : Eliza Lynn Linton and feminism at the turn of the century -- Beatrice Hastings, Rebecca West and women's rights at the turn of the century -- Virginia Woolf's common reader and her social criticism. The contexts of conclusions -- Bibliography -- Index.
    Additional Edition: ISBN 0-86193-343-5
    Language: English
    Subjects: English Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    UID:
    almahu_BV044708033
    Format: xv, 288 Seiten : , Illustrationen.
    ISBN: 978-0-86193-343-3
    Series Statement: Studies in history / New Series
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Weibliche Intellektuelle ; Frauenliteratur ; Geschlechterrolle
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  • 3
    Online Resource
    Online Resource
    Woodbridge, Suffolk : The Boydell Press, an imprint of Boydell & Brewer Ltd
    UID:
    gbv_1888854480
    Format: 1 Online-Ressource (xv, 288 pages) , illustrations (some color)
    ISBN: 9781782049586 , 1782049584
    Series Statement: Royal Historical Society Studies in History New Series
    Content: In nineteenth-century Britain, public debates about the nation's moral health and about men's and women's responsibility for it were shaped decisively by a tradition of female moralists. This book looks at the cultural criticism of eight of the most significant of these writers: Anna Jameson, Hannah Lawrance, Margaret Oliphant, Marian Evans ("George Eliot"), Eliza Lynn Linton, Beatrice Hastings, Rebecca West and Virginia Woolf, providing a detailed and compelling account of how their writing on history, literature and visual art changed contemporaries' understanding of the lessons to be drawn from each field at the same time as they contested and redefined contemporary understandings of masculinity and femininity. It recovers these moralists' understanding of themselves as part of a tradition of women of letters stretching from eighteenth-century bluestockings to their own time, and the growing consensus across the political range of periodicals that women's intellectual potential was equal to men's, and not determined by their sex. Benjamin Dabby is an independent historian
    Content: An examination of how women's writings, over two hundred centuries, shaped public opinion and morality
    Note: Includes bibliographical references and index , Anna Jameson and the use of picturesque history -- Hannah Lawrance and the claims of women's history -- Margaret Oliphant and the lessons of eighteenth-century history -- Anna Jameson, cultural authority and public moralism -- Beautiful and useful arts in Hannah Lawrance's cultural criticism -- Marian Evans's cultural criticism in the context of women's public moralism -- Eliza Lynn Linton and feminism at the turn of the century -- Beatrice Hastings, Rebecca West and women's rights at the turn of the century -- Virginia Woolf's common reader and her social criticism -- The contexts of conclusions
    Additional Edition: Erscheint auch als Druck-Ausgabe Dabby, Benjamin Women as public moralists in Britain Suffolk, UK : The Royal Historical Society ; The Boydell Press, 2017 ISBN 9780861933433
    Language: English
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  • 4
    UID:
    gbv_881852899
    Format: xv, 288 Seiten , Illustrationen
    Edition: First published
    ISBN: 9780861933433
    Series Statement: Studies in history / Royal Historical Society N.S., [95]
    Content: This book explores the ways in which a tradition of women moralists in Britain shaped public debates about the nation's moral health, and men's and women's responsibility to ensure it. It focuses on the role played by eight of the most significant of those women moralists whose writing on history, literature and visual art changed contemporaries' understanding of the lessons to be drawn from each field at the same time as they contested and redefined contemporary understandings of masculinity and femininity. In chapters which examine the critical interventions made by Anna Jameson, Hannah Lawrance, Margaret Oliphant, Marian Evans ("George Eliot"), Eliza Lynn Linton, Beatrice Hastings, Rebecca West and Virginia Woolf, the author recovers these writers' understanding of themselves as part of a tradition of women of letters stretching from eighteenth-century bluestockings to their own time, and the growing consensus in this period across the political range of periodicals that women's intellectual potential was equal to men's, and not determined by their sex. Overall, this book represents an important new direction in debates about modern British cultural history, and sheds new light on the bluestocking legacy, the place of women in the public sphere and the development of feminism in Britain's "long nineteenth century
    Content: List of illustrations -- Acknowledgements -- Abbreviations -- Introduction. Part 1 History and the present : Anna Jameson and the use of picturesque history -- Hannah Lawrance and the claims of women's history -- Margaret Oliphant and the lessons of eighteenth-century history. Part 2 Literature, art and life : Anna Jameson, cultural authority and public moralism -- Beautiful and useful arts in Hannah Lawrance's cultural criticism -- Marian Evans's cultural criticism in the context of women's public moralism. Part 3 Change and continuity from the fin-de-siècle to modernity : Eliza Lynn Linton and feminism at the turn of the century -- Beatrice Hastings, Rebecca West and women's rights at the turn of the century -- Virginia Woolf's common reader and her social criticism. The contexts of conclusions -- Bibliography -- Index
    Note: Literaturverzeichnis: Seite 231 - 278
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Jameson, Anna 1794-1860 ; Oliphant, Margaret 1828-1897 ; Eliot, George 1819-1880 ; Linton, Elizabeth Lynn 1822-1898 ; Hastings, Beatrice 1879-1943 ; West, Rebecca 1892-1983 ; Woolf, Virginia 1882-1941
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