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  • 1
    Online Resource
    Online Resource
    Abingdon, Oxon :Routledge,
    UID:
    almahu_9949386570402882
    Format: 1 online resource (256 pages)
    ISBN: 9781003103868 , 1003103863 , 9781000212228 , 100021222X , 9781000213119 , 1000213110 , 9781000211450 , 1000211452
    Series Statement: Photography, History: History, Photography
    Content: The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever. Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
    Note: "First published 2018 by Bloomsbury Academic." , 1. "For those who could see but could not read": Photojournalism in London, 1904-19382. Shooting People: The Press Photographer and the Candid Portrait 3. Snapping the Royals: The Press Photographer and the Challenge to the British Monarchy4. Spectacular "Society": Celebrity and Aristocratic Decline in the Photographic Press5. "The snapshots of press photographers are governed by no law": The Tabloid Photographer and the Right to Privacy.
    Language: English
    Keywords: Electronic books. ; Electronic books. ; History
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London : Routledge, Taylor &Francis Group
    UID:
    gbv_1014874831
    Format: 1 Online-Ressource (xi, 241 Seiten) , Illustrationen
    ISBN: 9781474243971 , 9781000211450
    Series Statement: Photography, history: history, photography
    Additional Edition: ISBN 9781474243964
    Additional Edition: Erscheint auch als Druck-Ausgabe Linkof, Ryan Public images London : Bloomsbury Academic, 2018 ISBN 9781474243964
    Additional Edition: ISBN 1474243967
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Großbritannien ; Pressefotografie ; Porträtfotografie ; Schnappschuss ; Berühmte Persönlichkeit ; Boulevardpresse ; Paparazzo ; Geschichte 1900-2000
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    London, UK ; : Bloomsbury Visual Arts,
    UID:
    almafu_9961673525502883
    Format: 1 online resource (254 pages)
    Edition: 1st ed.
    ISBN: 1-00-310386-3 , 1-000-21311-0 , 1-003-10386-3 , 1-000-21145-2 , 1-4742-4399-1 , 1-4742-4397-5
    Series Statement: Photography, history: history, photography
    Content: The stolen snapshot is a staple of the modern tabloid press, as ubiquitous as it is notorious. The first in-depth history of British tabloid photojournalism, this book explores the origin of the unauthorised celebrity photograph in the early 20th century, tracing its rise in the 1900s through to the first legal trial concerning the right to privacy from photographers shortly after the Second World War. Packed with case studies from the glamorous to the infamous, the book argues that the candid snap was a tabloid innovation that drew its power from Britain's unique class tensions. Used by papers such as the Daily Mirror and Daily Sketch as a vehicle of mass communication, this new form of image played an important and often overlooked role in constructing the idea of the press photographer as a documentary eyewitness. From Edward VIII and Wallis Simpson to aristocratic debutantes Lady Diana Cooper and Margaret Whigham, the rage of the social elite at being pictured so intimately without permission was matched only by the fascination of working class readers, while the relationship of the British press to social, economic and political power was changed forever.Initially pioneered in the metropole, tabloid-style photojournalism soon penetrated the journalistic culture of most of the globe. This in-depth account of its social and cultural history is an invaluable source of new research for historians of photography, journalism, visual culture, media and celebrity studies.
    Note: "First published 2018 by Bloomsbury Academic." , Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction -- 1 Tabloidism: Photojournalism in London, 1904-38 -- 2 Shooting people: The press photographer and the candid portrait -- 3 Snapping the royals: The press photographer and the challenge to the British monarchy -- 4 Photocracy: Celebrity and aristocratic "decline" in the 1930s -- 5 "The plague of Britain": The tabloid photographer and the right to privacy -- 6 Ungentlemanly behavior: Class, privacy, and the tabloid photographer -- Conclusion -- Notes -- Bibliography -- Index. , Also issued in print.
    Additional Edition: ISBN 1-4742-4396-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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