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  • 1
    Online Resource
    Online Resource
    Milton : Taylor & Francis Group
    UID:
    b3kat_BV048727263
    Format: 1 online resource (221 pages)
    ISBN: 9781000293647
    Note: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Preface and Acknowledgements -- Introduction -- 1 Musicalising Montgomery Clift -- 2 Kazan, Brando, and Mélomania -- 3 Hitchcock's Time vectors of Acting and Music -- 4 Day, Monroe, and Gendered Music -- 5 Dissonance and Consonance in James Dean's Films -- 6 Waters, Poitier, Music, and Race -- 7 Musical Characterisation in the Melodramas of Sirk and Minnelli -- Conclusion -- References -- Index
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London : Routledge,
    UID:
    gbv_1765042216
    Format: 1 online resource , illustrations (black and white)
    Edition: 1st edition.
    ISBN: 9781000293647 , 1000293645 , 9780429281365 , 0429281366 , 9781000293623 , 1000293629 , 9781000293609 , 1000293602
    Series Statement: Ashgate screen music series
    Additional Edition: ISBN 0367237202
    Additional Edition: ISBN 9780367237202
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0367237202
    Language: English
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  • 3
    Online Resource
    Online Resource
    London :Routledge,
    UID:
    almahu_9949386478402882
    Format: 1 online resource (x, 209 pages) : , illustrations.
    ISBN: 9781000293647 , 1000293645 , 9780429281365 , 0429281366 , 9781000293623 , 1000293629 , 9781000293609 , 1000293602
    Series Statement: Ashgate screen music series
    Content: Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies. Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor's performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors' voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s. This is a valuable resource for scholars and researchers of musicology, film music and film studies more generally.
    Additional Edition: Print version: ISBN 0367237202
    Additional Edition: ISBN 9780367237202
    Language: English
    Keywords: Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History.
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