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  • 1
    Online Resource
    Online Resource
    [Place of publication not identified] : ROUTLEDGE,
    UID:
    gbv_1854657054
    Format: 1 online resource (264 pages) , illustrations (black and white).
    ISBN: 9780429279775 , 0429279779 , 9781000905731 , 100090573X , 9781000905670 , 1000905675
    Series Statement: Routledge research in art museums and exhibitions
    Additional Edition: ISBN 0367234211
    Additional Edition: ISBN 9780367234218
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0367234211
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Abingdon, Oxon ; : Routledge,
    UID:
    almahu_9949568110202882
    Format: 1 online resource (xiv, 226 pages) : , illustrations.
    ISBN: 9780429279775 , 0429279779 , 9781000905670 , 1000905675 , 9781000905731 , 100090573X
    Series Statement: Routledge research in art museums and exhibitions
    Content: Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; collectivities and trade unions in Argentina; Civil Rights movements and Black communities in Baltimore; institutional self-critique within the neoliberal museum; reframing feminisms in USA; and revisiting Cold War Modernisms in Eastern Europe among other themes. An interdisciplinary project with a global reach, this edited volume considers the theme of exhibitions as political resistance as well as cultural critique from global perspectives including South Africa, Latin America, Eastern Europe, USA and West Europe. The book includes contributions by ten authors from the fields of art history, social sciences, anthropology, museum studies, provenance research, curating and exhibition histories. The edited volume finally examines exhibition reconstructions both as a symptom of advanced capitalism, geopolitical dynamics and social uprisings, and as a critique of imperial and capitalist violence. Art historical areas covered in the book include conceptualism, minimalism, modern painting, global modernisms, archives and community arts. This volume will be of interest to a wide range of audiences including art historians, curators, gallery studies and museum professionals, and also to scholars and students from the fields of anthropology, ethnography, sociology, and history. It would also appeal to a general public with an interest in modern and contemporary art exhibitions.
    Additional Edition: Print version: RECONSTRUCTING EXHIBITIONS IN ART INSTITUTIONS. [Place of publication not identified] : ROUTLEDGE, 2023 ISBN 0367234211
    Language: English
    Keywords: History.
    Library Location Call Number Volume/Issue/Year Availability
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