Umfang:
xxiv, 368 Seiten :
,
Illustrationen, Notenbeispiele.
ISBN:
978-1-316-51584-6
,
978-1-00-901175-4
Inhalt:
Introduction -- Music and Spoken Theatre -- Music in Gherardi's Company -- Singing and Acting at Home -- Opéra-comique en vaudevilles -- Experiences of Popular Theatre -- Comic and Serious Themes -- Performance as History -- Musical Expansion -- Italian Inroads : the King's Company -- Six Methods of Synthesis -- A 'Musico-Dramatic Art' -- Conclusion
Inhalt:
"Popular opera deserves a history, if only to reveal the origins of today's flourishing musical theatre. Operas with spoken dialogue originated in Paris as well as London, some years before The Beggar's Opera. In both countries a tradition of social critique was inscribed from the first. The vaudeville tradition has changed, but its roots are not actually remote: Marie-Justine Favart, the legendary singer, writer and actress discussed in Chapter 10, created the role of Roxelane in Soliman II, a musical play by Charles-Simon Favart: 'The last Roxelane on stage was Madeleine Renaud (1900-94) [...] also one of the first performers in plays by Samuel Beckett (1906-89) and Marguerite Duras (1914-96).'"
Anmerkung:
Hier auch später erschienene, unveränderte Nachdrucke
Weitere Ausg.:
Erscheint auch als Online-Ausgabe ISBN 978-1-00-902673-4
Weitere Ausg.:
Erscheint auch als Online-Ausgabe ISBN 978-1-00-903285-8
Sprache:
Englisch
Fachgebiete:
Musikwissenschaft
Schlagwort(e):
Komische Oper
;
Musiktheater
Mehr zum Autor:
Charlton, David 1946-
Bookmarklink
