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  • 1
    Online-Ressource
    Online-Ressource
    New York, NY :Routledge,
    UID:
    almahu_9949386786202882
    Umfang: 1 online resource
    ISBN: 9781003185536 , 1003185533 , 9781000437829 , 1000437825 , 1000437698 , 9781000437690
    Inhalt: "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable' love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the 'woes that no words can sound' of Shakespeare's iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare's early modern tragedy, French composer Hector Berlioz's dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz's symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007)"--
    Anmerkung: Introduction: "A rapture so pure that its words are tears" -- Discoursing love : amorous community in Shakespeare's Romeo and Juliet -- Composing love : topical fields and gestures in Hector Berlioz's Roméo et Juliette -- Choreographing love : balletic contact in Sasha Waltz's Roméo et Juliette -- "A story of more woe" : Romeo and Juliet beyond Hector Berlioz and Sasha Waltz -- Conclusion : towards a transmedial theory of love.
    Weitere Ausg.: Print version: Kellermann, Jonas. Dramaturgies of love in Romeo and Juliet New York, NY : Routledge, 2022 ISBN 9781032028590
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Adaptations.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1794593098
    Umfang: 1 Online-Ressource (62 p.)
    ISBN: 9781032028590 , 9781032028606
    Inhalt: This chapter examines Sasha Waltz’s choreographic staging of Berlioz’s Roméo et Juliette for the Paris Opera Ballet from 2007. Waltz’s production reimagines one of the most canonical stories in the classical ballet repertoire through the abstract and fragmentary lens of contemporary dance. I trace how Waltz appropriates the post-modern principles of Contact Improvisation for purposes of balletic storytelling. Drawing from recent affect-focussed criticism in dance studies, I explore how Waltz uses the non-narrative relationality of Contact Improvisation to transform Shakespeare’s poetic constellations of affect into abstract, yet dramatically expressive choreographic embodiments of affect, especially in the Pas de deux during the “Scène d’amour”
    Anmerkung: English
    In: Dramaturgies of Love in Romeo and Juliet
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1794591656
    Umfang: 1 Online-Ressource (22 p.)
    ISBN: 9781032028590 , 9781032028606
    Inhalt: The introductory chapter frames Shakespeare’s Romeo and Juliet and its dramatisation of romantic love within the recent affective turn, defining affect as relational and discursive movements that are intelligible as individual, nameable emotions based on their adherence to certain cultural taxonomies. This definition entails my overall query: what are the taxonomies according to which affective movements become readable as amorous emotion in Romeo and Juliet? To showcase that these patterns not only pertain to verbal language, I also discuss symphonic and balletic adaptations of the play, specifically Hector Berlioz’s dramatic symphony Roméo et Juliette (1839) and Sasha Waltz’s staging of the Berlioz’s symphony for the Paris Opera Ballet (2007)
    Anmerkung: English
    In: Dramaturgies of Love in Romeo and Juliet
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Buch
    Buch
    New York ; London :Routledge, Taylor & Francis Group,
    UID:
    almafu_BV047866527
    Umfang: xii, 229 Seiten : , Illustrationen.
    ISBN: 978-1-03-202859-0 , 978-1-03-202860-6
    Serie: Routledge studies in Shakespeare
    Inhalt: "Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of 'unspeakable' love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the 'woes that no words can sound' of Shakespeare's iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare's early modern tragedy, French composer Hector Berlioz's dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz's symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007)
    Anmerkung: Includes bibliographical references and index , Dissertation Universität Konstanz 2020
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-00-318553-6
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    Schlagwort(e): 1564-1616 Romeo and Juliet Shakespeare, William ; Bearbeitung ; Liebe ; Hochschulschrift ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1794594159
    Umfang: 1 Online-Ressource
    ISBN: 9781032028590 , 9781032028606 , 9781003185536
    Inhalt: Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the "woes that no words can sound" of Shakespeare’s iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology, and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare’s early modern tragedy, French composer Hector Berlioz’s dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz’s symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007)
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    London ; : Routledge, Taylor & Francis Group,
    UID:
    almafu_9961926533102883
    Umfang: 1 online resource (243 pages)
    Ausgabe: 1st ed.
    ISBN: 1-00-318553-3 , 1-000-43769-8 , 1-003-18553-3 , 1-000-43782-5
    Serie: Routledge studies in Shakespeare
    Anmerkung: Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- List of Tables -- Acknowledgements -- 1. Introduction: "A Rapture So Pure That Its Words Are Tears" -- 1.1. Dramatising and Theorising Affect -- 1.2. Affective Movements and Practices -- 1.3. Staging Amorous Emotion: Questions, Corpus, and Structure -- 2. Discoursing Love: Amorous Community in Shakespeare's Romeo and Juliet -- 2.1. Affective Communities in Romeo and Juliet -- 2.2. The Amorous Duality of Lover and Beloved -- 2.3. Affective Communities (De-)Constructed: Amorous Suicide in Romeo and Juliet -- 3. Composing Love: Topical Fields and Gestures in Hector Berlioz's Roméo et Juliette -- 3.1. Introduction: The Sublimity of Love and Music -- 3.2. Berlioz and the Musically Sublime -- 3.3. Theorising Musical Emotion -- 3.4. The Dramatic Symphony: Roméo et Juliette -- 3.5. "Pull Not Our Heart-Strings Thus": Romanticising Shakespeare -- 4. Choreographing Love: Balletic Contact in Sasha Waltz's Roméo et Juliette -- 4.1. Dancing Romeo and Juliet -- 4.2. Bodies and Spaces in Dialogue: The Works of Sasha Waltz -- 4.3. Emotion in Motion: Contrasting Classical and Non-Classical Theatre Dance -- 4.4. Establishing Balletic Contact in Roméo et Juliette -- 4.5. A Post-Modern Pas de Deux: Amorous Contact in the "Scène d'amour" -- 4.6. Choreographic Love Post-Mortem in Roméo et Juliette -- 5. "A Story of More Woe": Romeo and Juliet Beyond Hector Berlioz and Sasha Waltz -- 5.1. Beyond Hector Berlioz: Romeo and Juliet in Romantic Music -- 5.2. Beyond Sasha Waltz: Romeo and Juliet in Classical and Contemporary Ballet -- 6. Conclusion: Towards a Transmedial Theory of Love -- Bibliography -- Index.
    Weitere Ausg.: ISBN 1-03-202859-9
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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