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  • 1
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    Stalin era intellectuals : culture and Stalinism (2022)
    Abingdon, Oxon : Routledge,
    Details
    UID:
    gbv_1830890964
    Umfang: 1 online resource.
    ISBN: 9781003219835 , 1003219837 , 9781000785630 , 1000785637 , 1000785653 , 9781000785654
    Serie: Studies in contemporary Russia
    Inhalt: On Soviet Intellectual Culture during the Stalin Era / Vesa Oittinen and Elina Viljanen -- Fighting Avant-Garde with Phenomenology : Gustav Shpet's 'New Realism' / Liisa Bourgeot -- The Concept of 'Menshevising Idealism' and the Stalinisation of Soviet Philosophy / Vesa Oittinen -- The Naked Truth of Fact : Andrey Platonov on the Margins of Factography / Maria Chehonadskikh -- Everyday Symphonism : Boris Asafiev's Soviet Theory of Popular Music / Elina Viljanen -- Confronting Modernism in the Stalin Era : Mikhail Lifshits as Critic and Philosopher of Culture / Sascha Freyberg -- Maxim Gorky as Spokesman for Proletarian Humanism / Jutta Scherrer -- Sofya Yanovskaya in Defence of Abstractions : Between Soviet Ideology and Bourgeois Idealism / Tatiana Levina -- The Anti-Fascist Cultural Theory of Nikolai Bukharin and the Concept of Socialist Humanism / Vesa Oittinen and Elina Viljanen -- Nikolay Marr's Theory of Language and Konstantin Megrelidze's Historical Science of Thought / Elene Ladaria -- Between Critique and Conformism : The Languages and Cultures of Caste and Nation in Stalin-era Indology / Craig Brandist -- Stalin and Philosophy in Soviet Russia / Marina F. Bykova -- Stalinism, War, and Artistic Representation of Reality : Konstantin Simonov's Critique of the 'System of Silence' in 1956 / Susan Ikonen.
    Weitere Ausg.: ISBN 9781032114200
    Weitere Ausg.: ISBN 9781032114217
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9781032114200
    Sprache: Englisch
    DOI: 10.4324/9781003219835
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Mehr zum Autor: Oittinen, Vesa 1951-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Open Access Wunsch
    Stabi Berlin
    Informationszentrum DGAP
  • 2
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    Chapter 1 Introduction : On Soviet Intellectual Culture during the Stalin Era (2023)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1853342629
    Umfang: 1 Online-Ressource (22 p.)
    ISBN: 9781032114200 , 9781032114217
    Inhalt: The authors of our book focus on Soviet scholars and cultural theoreticians during the Stalin era from a methodological perspective that distinguishes between Stalinism and culture, an outlook that forms one of the common threads of the book. This introductory chapter focuses on the theoretical grounding of this approach. We argue that the received picture of Soviet culture in general and of Stalin era culture in particular has yet to be fully disentangled from the political and historical narratives of the Cold War epoch, especially with respect to the persistent traits of totalitarianism theory in defining Stalinism. The point of departure from the still dominant ’revisionist’ model of Soviet historiography involves the proposition that Stalin’s brand of totalitarianism was a collective cultural product. Our book in turn revises this thesis by claiming that Stalin rarely sought to control culture in a totalitarian manner. He was aware of the limits of control over culture. Meanwhile, society in general and notable cultural actors in particular need to be contextualised and theorised as political subjects from various points of view. Stalinism was a phenomenon that was organically embedded in the culture of the era – thus the metaphor of a ‘parasite’ seems to describe this relationship in a more adequate manner Stalin era intellectuals can be viewed as cultural actors who adopted different ‘patriotic’ strategies from the political arena to gain some level of autonomy that enabled to them to function in their fields. These strategies ensured that certain theoretical ideas were able to persist despite major political campaigns
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Stabi Berlin
    UB Potsdam
  • 3
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    Chapter 2 Fighting Avant-Garde with Phenomenology : Gustav Shpet’s ‘New Realism’ (2023)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1853342548
    Umfang: 1 Online-Ressource (15 p.)
    ISBN: 9781032114200 , 9781032114217
    Inhalt: The article discusses Gustav Shpet’s phenomenology and aesthetic theory as part of early Soviet culture. The author suggests that the ‘official’ acceptance of Shpet’s philosophy, particularly through GAKhN, is emblematic of the internal complexity of the cultural regime in the 1920s. Shpet’s pre-revolutionary phenomenology was praised for its modernizing potential, while his later anti-avant-garde art theory was criticized as old-fashioned and unscientific. Yet both were welcomed by Marxist thinkers and the Bolshevik regime. Shpet’s involvement in Soviet culture from 1917 to 1929 can thus be seen as a reflection of its gradually changing needs. His aesthetics of ‘new realism’ and the ‘inner form of the word’ were deemed useful until the end of the 1920s, when he was finally charged with ‘idealism’ and ‘anti-communism’. Nonetheless, Shpet’s neo-classical cultural conception can be considered part of a broad conservative turn that eventually led to the introduction of socialist realism
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 4
    Online-Ressource
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    Chapter 10 The Anti-Fascist Cultural Theory of Nikolai Bukharin and the Concept of Socialist Humanism (2023)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_185335094X
    Umfang: 1 Online-Ressource (28 p.)
    ISBN: 9781032114200 , 9781032114217
    Inhalt: Nikolai Bukharin’s (1888–1938) anti-fascist activity in the mid-1930s and his status as a cultural theoretician have been a neglected topic thus far. After losing his position as General Secretary of the Comintern’s executive committee and being expelled from the Politburo in 1929, Bukharin still found a platform as the chief editor of Izvestiya, in which he published several analyses of fascist ideology until his arrest in 1937. As a response, and in order to surpass the achievements of German high culture, which had fallen under the spell of bourgeois fascism, Bukharin relied on his own interpretation of Marxist philosophy, which he had sketched already in the 1920s but tried to ‘dialecticise’ in the 1930s after being criticised for his overly mechanistic views. The apex of these aspirations are his works Philosophical Arabesques and Socialism and its Culture, written in 1937 while in prison. Both are in many respects rather enigmatic works. In them, Bukharin defended socialist humanism as the only real alternative to fascism. At the same time he was not only silent about the crimes of Stalin, but he also considered the violent and dictatorial features that became branded as Stalinism abroad as a necessary ‘destructive’ force in the dialectical process of history of building communism. In this chapter, Vesa Oittinen and Elina Viljanen analyse the premises of Bukharin’s philosophy of culture and explain its repercussions
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 5
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    Chapter 6 Everyday Symphonism : Boris Asafiev’s Soviet Theory of Popular Music (2023)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1853350931
    Umfang: 1 Online-Ressource (25 p.)
    ISBN: 9781032114200 , 9781032114217
    Inhalt: Stalin’s political takeover of the cultural theoretical pattern of Bolshevik novyy byt ‘new public life’ created a powerful myth of the total repression of ‘bourgeois’ philosophy in the early 1930s. However, since the 1920s novyy byt had also produced directives governing the formation of new theories of ideologically correct ‘spiritual kul’turnost’ (culturality, being civilized) on the basis of ‘the best achievements of bourgeois traditions.’ Classical music represented one of these achievements. The chapter sheds light on the idealist philosophical sides of the Soviet conception of kul’turnost. Looking at the musicologist Boris Asafiev (1884-1949) as an intellectual whose theoretical strategies shaped Soviet culture during the Stalin era, the author shows that the Soviet conception of classical music as a symbol of kul’turnost developed from the late ‘Silver Age’ philosophy of ‘internal’ spiritual life. Shaped by the NEP-era Bolshevik discourse of novyy byt and Pan-European cultural and musical theories, the conception emerged during the Stalinist kul’turnost campaigns. Asafiev renewed his theoretical setting (theory of Intonation) of the 1920s to suit Stalinist ideological outlines of what a ‘socialist approach’ to the arts ought to be. However, his theory was one of the evolving ideas that managed to accomplish this in a way that produced interesting scholarly results. His apology of classical music constitute an interesting intellectual history of Russian appreciation of classical music as a proper type of Russian kul’turnost and explains the Soviet understanding of popular music
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 6
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    Chapter 4 ‘Menshevising Idealism’ and Stalinisation of Philosophy (2023)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1853352144
    Umfang: 1 Online-Ressource (18 p.)
    ISBN: 9781032114200 , 9781032114217
    Inhalt: The turbulent events of Stalin’s ‘Great Break’ have often been seen as a turning point and the beginning of a Stalinist politics sensu stricto. A sharp philosophical debate occurred at this turning point. This chapter discusses how this shift occurred in Soviet Marxist philosophical circles. It analyses the concept of ‘Menshevising Idealism’, an idea coined (maybe by Stalin himself) during the philosophical campaign around the year 1930. It targeted mainly the Deborin school of early Soviet philosophy. Deborin and his supporters were accused of ‘Hegelianising’ Marxism and of not understanding the significance of the new, Leninist stage of Marxist theory. The concept of Menshevising Idealism has later almost unanimously been viewed by scholars as a Stalinist label without any real content. While it is true that Stalin and his circle utilised the campaign against the Deborinites for their own purposes, there nevertheless were some real weaknesses in the philosophy of the Deborin School. One sign of this weakness is that such thinkers as Georg Lukács, Mikhail Lifshits and, later, Evald Ilyenkov all criticised the Deborin School even though they did not accept the Stalinist methods of its suppression
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 7
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    Chapter 13 Stalinism, War, and Artistic Representation of Reality : Konstantin Simonov’s Critique of the ‘System of Silence’ in 1956 (2023)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_185334091X
    Umfang: 1 Online-Ressource (25 p.)
    ISBN: 9781032114200 , 9781032114217
    Inhalt: This chapter analyses Konstantin Simonov’s thought from the largely understudied point of view of de-Stalinization. Simonov showed already in 1956 how the representation of the Great Patriotic war was tightly intertwined with the personality cult of Stalin, and how this entanglement had caused literature and art either to portray Soviet reality in a distorted manner or to keep silent about social difficulties. By criticizing key authoritative documents of the early post-war years, Simonov revealed how Stalin’s wish to forge the image of the Great Patriotic war resulted in the widespread tendency of embellishing reality in Soviet literature and art. The chapter also tracks how the Party rebuked Simonov’s claims without mentioning him as the initiator of the ideas. The chapter thus testifies to some of the problems of ‘de-Stalinization’ and how some of its key issues could not be openly discussed in the Soviet Union until the late 1980s. The chapter is based on previously untapped archival material, and it contributes to the scholarly discussion of the thaw-era de-Stalinization, Simonov’s roles within the Soviet literary establishment, and questions of the representation of reality in Soviet art in general and the representation of the Great Patriotic war in particular
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    URL: kostenfrei
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    Stabi Berlin
    UB Potsdam
  • 8
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    Stalin era intellectuals : culture and Stalinism (2022)
    Abingdon, Oxon ; : Routledge,
    Details
    UID:
    almahu_9949420242302882
    Umfang: 1 online resource.
    ISBN: 9781003219835 , 1003219837 , 9781000785630 , 1000785637 , 1000785653 , 9781000785654
    Serie: Studies in contemporary Russia
    Inhalt: "This book focuses on the extent to which Soviet scholars and cultural theoreticians were able to act autonomously during the Stalin era. The authors question how we should consider certain intellectual achievements which took place despite the pressure of Stalinism, and how best to recognise and describe such achievements. The chapters offer suggestions for new interpretations on Soviet philosophy of science and humanities, linguistics, philosophy, musicology, literature and mathematics from the point of view of general cultural theory. In this way, they challenge the received image of the Stalin-era humanities which reduces them into mere propaganda. Intended for scholars of Russian and Soviet studies this book will dispel many received views about the character of Stalinism and Soviet culture"--
    Anmerkung: On Soviet Intellectual Culture during the Stalin Era / Vesa Oittinen and Elina Viljanen -- Fighting Avant-Garde with Phenomenology : Gustav Shpet's 'New Realism' / Liisa Bourgeot -- The Concept of 'Menshevising Idealism' and the Stalinisation of Soviet Philosophy / Vesa Oittinen -- The Naked Truth of Fact : Andrey Platonov on the Margins of Factography / Maria Chehonadskikh -- Everyday Symphonism : Boris Asafiev's Soviet Theory of Popular Music / Elina Viljanen -- Confronting Modernism in the Stalin Era : Mikhail Lifshits as Critic and Philosopher of Culture / Sascha Freyberg -- Maxim Gorky as Spokesman for Proletarian Humanism / Jutta Scherrer -- Sofya Yanovskaya in Defence of Abstractions : Between Soviet Ideology and Bourgeois Idealism / Tatiana Levina -- The Anti-Fascist Cultural Theory of Nikolai Bukharin and the Concept of Socialist Humanism / Vesa Oittinen and Elina Viljanen -- Nikolay Marr's Theory of Language and Konstantin Megrelidze's Historical Science of Thought / Elene Ladaria -- Between Critique and Conformism : The Languages and Cultures of Caste and Nation in Stalin-era Indology / Craig Brandist -- Stalin and Philosophy in Soviet Russia / Marina F. Bykova -- Stalinism, War, and Artistic Representation of Reality : Konstantin Simonov's Critique of the 'System of Silence' in 1956 / Susan Ikonen.
    Weitere Ausg.: Print version: Stalin era intellectuals Abingdon, Oxon ; New York, NY : Routledge, 2022 ISBN 9781032114200
    Sprache: Englisch
    DOI: 10.4324/9781003219835
    URL: https://www.taylorfrancis.com/books/9781003219835
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Open Access Wunsch
    HU Berlin
  • 9
    Online-Ressource
    Online-Ressource
    Stalin Era Intellectuals : Culture and Stalinism (2023)
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    Details
    UID:
    gbv_1853332674
    Umfang: 1 Online-Ressource
    ISBN: 9781003219835 , 9781032114200 , 9781032114217
    Inhalt: This book focuses on the extent to which Soviet scholars and cultural theoreticians were able to act autonomously during the Stalin era. The authors question how we should consider certain intellectual achievements which took place despite the pressure of Stalinism, and how best to recognise and describe such achievements. The chapters in this book offer suggestions for new interpretations on Soviet philosophy of science and humanities, linguistics, philosophy, musicology, literature and mathematics from the point of view of general cultural theory. In this way, they challenge the received image of the Stalin-era humanities which reduces them into mere propaganda. Intended for scholars of Russian and Soviet studies, this book will dispel many received views about the character of Stalinism and Soviet culture
    Anmerkung: English
    Sprache: Unbestimmte Sprache
    Schlagwort(e): Sowjetunion ; Stalinismus ; Intellektueller ; Geschichte
    URL: teilw. kostenfrei
    Mehr zum Autor: Oittinen, Vesa 1951-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
    Online-Ressource
    UB Potsdam
  • 10
    Online-Ressource
    Online-Ressource
    Stalin era intellectuals : culture and Stalinism (2023)
    London ; : Routledge,
    Details
    UID:
    almafu_9961926508702883
    Umfang: 1 online resource (285 pages)
    ISBN: 1-00-321983-7 , 1-003-21983-7 , 1-000-78563-7
    Serie: Studies in contemporary Russia
    Inhalt: "This book focuses on the extent to which Soviet scholars and cultural theoreticians were able to act autonomously during the Stalin era. The authors question how we should consider certain intellectual achievements which took place despite the pressure of Stalinism, and how best to recognise and describe such achievements. The chapters offer suggestions for new interpretations on Soviet philosophy of science and humanities, linguistics, philosophy, musicology, literature and mathematics from the point of view of general cultural theory. In this way, they challenge the received image of the Stalin-era humanities which reduces them into mere propaganda. Intended for scholars of Russian and Soviet studies this book will dispel many received views about the character of Stalinism and Soviet culture"-- Provided by publisher.
    Anmerkung: Cover -- Endorsement Page -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- Editors -- List of Contributors -- Contact Information -- Acknowledgements -- Chapter 1 Introduction: On Soviet Intellectual Culture during the Stalin Era -- Chapter 2 Fighting Avant-Garde with Phenomenology: Gustav Shpet's 'New Realism' -- Chapter 3 Stalin and Philosophy in Soviet Russia -- Chapter 4 'Menshevising Idealism' and Stalinisation of Philosophy -- Chapter 5 The Naked Truth of Fact: Andrey Platonov on the Margins of Factography -- Chapter 6 Everyday Symphonism: Boris Asafiev's Soviet Theory of Popular Music -- Chapter 7 Confronting Modernism in the Stalin Era: Mikhail Lifshits as Critic and Philosopher of Culture -- Chapter 8 Maxim Gorky as Spokesman for Proletarian Humanism -- Chapter 9 Sofya Yanovskaya in Defence of Abstractions: Between Soviet Ideology and Bourgeois Idealism -- Chapter 10 The Anti-Fascist Cultural Theory of Nikolai Bukharin and the Concept of Socialist Humanism -- Chapter 11 Nikolay Marr's Theory of Language and Konstantin Megrelidze's Historical Science of Thought -- Chapter 12 Between Critique and Conformism: The Languages and Cultures of Caste and Nation in Stalin-Era Indology -- Chapter 13 Stalinism, War, and Artistic Representation of Reality: Konstantin Simonov's Critique of the 'System of Silence' in 1956 -- Index.
    Weitere Ausg.: ISBN 1-03-211420-7
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    FU Berlin
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