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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947415106802882
    Format: 1 online resource (xx, 233 pages) : , digital, PDF file(s).
    ISBN: 9780511793295 (ebook)
    Content: Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Introduction: popular music and the experience of modernism -- Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music; 2. Twentieth-century modernism and 'jazz' music -- Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation; 4. 'What is this thing called love?': Cole Porter and the rhythms of desire; 5. Signifying music: Fats Waller and the time of jazz; 6. Music without composition: Billie Holiday and ensemble performance -- Conclusion: popular music and the revolution of the word.
    Additional Edition: Print version: ISBN 9781107005051
    Language: English
    Subjects: Musicology
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_88345985X
    Format: Online-Ressource (1 online resource (254 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511793295
    Content: Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether
    Content: Introduction: popular music and the experience of modernism -- Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music; 2. Twentieth-century modernism and 'jazz' music -- Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation; 4. 'What is this thing called love?': Cole Porter and the rhythms of desire; 5. Signifying music: Fats Waller and the time of jazz; 6. Music without composition: Billie Holiday and ensemble performance -- Conclusion: popular music and the revolution of the word
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9781107005051
    Additional Edition: ISBN 9781107655300
    Additional Edition: Erscheint auch als Druck-Ausgabe Schleifer, Ronald, 1948 - Modernism and popular music Cambridge [u.a.] : Cambridge University Press, 2011 ISBN 1107005051
    Additional Edition: ISBN 9781107005051
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781107005051
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Moderne ; Unterhaltungsmusik
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almahu_BV037275782
    Format: XX, 233 S. : , Notenbeisp.
    Edition: 1. publ.
    ISBN: 978-1-107-00505-1
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Modernismus ; Jazz ; Unterhaltungsmusik ; Ästhetik ; 1898-1937 Gershwin, George ; 1896-1983 Gershwin, Ira ; 1915-1959 Holiday, Billie ; 1891-1964 Porter, Cole ; 1904-1943 Waller, Fats
    Library Location Call Number Volume/Issue/Year Availability
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