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  • 1
    UID:
    almafu_BV040295864
    Format: XIX, 282 S., [12] Bl. : , zahlr. Ill.
    Edition: 1. publ.
    ISBN: 978-1-107-02295-9
    Note: "This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church"-- Provided by publisher. -- "In the Catharijneconvent Museum in Utrecht there hangs a panel painting whose diminutive size belies the magnificence of its contents (Plate I). Supporting a soaring canopy of rib vaults, two rows of polished marble columns mark the outer boundaries of the picture; their lower halves are concealed, however, by luminous winged altarpieces - most opened to display their gilt interiors, one decorated with paintings, and one still closed. But the sumptuousness of these material accoutrements carries little weight to the twenty-two tonsured men who fill the central space. With hands tucked into their gleaming white robes and mouths gently open as if in song, they gaze in quiet admiration at the Virgin Mary, dazzling with her loose golden locks and glittering crown, her gown of brocaded gold and purple velvet mantle, and the luminous infant she proffers to St. Dominic, the foremost friar. Whereas the phalanx of men forms a symmetrical buffer around the maiden and baby on the church's central axis, the scene is not wholly static. Following the steep orthogonals created jointly by architecture and figures, we discover the beginnings of movement as the two men farthest from our standpoint, thus deepest in the pictorial space, prepare to enter the choir"-- Provided by publisher.. - Includes bibliographical references and index
    Language: English
    RVK:
    Keywords: Dom ; Lettner ; Gotik ; Dom ; Lettner ; Gotik ; Dom ; Lettner ; Bibliografie
    Author information: Jung, Jacqueline E. 1971-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City :Cambridge University Press,
    UID:
    almafu_BV041822067
    Format: 1 Online-Ressource (xix, 282 Seiten, 12 ungezählte Blätter) : , Illustrationen.
    ISBN: 978-1-139-14935-8
    Note: "This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church"-- Provided by publisher. -- "In the Catharijneconvent Museum in Utrecht there hangs a panel painting whose diminutive size belies the magnificence of its contents (Plate I). Supporting a soaring canopy of rib vaults, two rows of polished marble columns mark the outer boundaries of the picture; their lower halves are concealed, however, by luminous winged altarpieces - most opened to display their gilt interiors, one decorated with paintings, and one still closed. But the sumptuousness of these material accoutrements carries little weight to the twenty-two tonsured men who fill the central space. With hands tucked into their gleaming white robes and mouths gently open as if in song, they gaze in quiet admiration at the Virgin Mary, dazzling with her loose golden locks and glittering crown, her gown of brocaded gold and purple velvet mantle, and the luminous infant she proffers to St. Dominic, the foremost friar. Whereas the phalanx of men forms a symmetrical buffer around the maiden and baby on the church's central axis, the scene is not wholly static. Following the steep orthogonals created jointly by architecture and figures, we discover the beginnings of movement as the two men farthest from our standpoint, thus deepest in the pictorial space, prepare to enter the choir"-- Provided by publisher.
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-02295-9
    Language: English
    Subjects: Theology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Dom ; Lettner ; Gotik ; Dom ; Lettner ; Gotik ; Dom ; Lettner
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Author information: Jung, Jacqueline E. 1971-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_BV044560369
    Format: xix, 282 Seiten : , Illustrationen, Pläne ; , 28 cm.
    Edition: Reprinted
    ISBN: 978-1-108-43076-0 , 1108430767 , 978-1-107-02295-9
    Content: [Back cover] At the heart of Gothic cathedrals, the threshold between nave and sanctuary was marked by the choir screen, a partitioning structure of special complexity, grandeur, and beauty. At once a canopy for altars, a stage for performance, a pedestal for crucifixes and reliquaries, and a ground for spectacular arrays of narrative and iconic sculptures, the choir screen profoundly shaped the spaces of liturgy and social interaction for the diverse communities, both clerical and lay, who shared the church interior. For the first time, this book draws together the most important examples--some fully extant, others known through fragments and graphic sources--from thirteenth-and-fourteenth-century France and Germany
    Note: First published in 2013 , Part I: The Screen as Structure -- Part II: Sculpture on the Screen
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 9781139149358
    Language: English
    Subjects: Theology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Dom ; Lettner ; Gotik ; Dom ; Lettner ; Gotik ; Dom ; Lettner
    Author information: Jung, Jacqueline E., 1971-,
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almahu_9947414944002882
    Format: 1 online resource (282 pages) : , digital, PDF file(s).
    ISBN: 9781139149358 (ebook)
    Content: At the heart of Gothic cathedrals, the threshold between nave and sanctuary was marked by the choir screen, a partitioning structure of special complexity, grandeur and beauty. At once a canopy for altars, a stage for performance, a pedestal for crucifixes and reliquaries and a ground for spectacular arrays of narrative and iconic sculptures, the choir screen profoundly shaped the spaces of liturgy and social interaction for the diverse communities, both clerical and lay, who shared the church interior. For the first time, this book draws together the most important examples - some fully extant, others known through fragments and graphic sources - from thirteenth- and fourteenth-century France and Germany. Through analyses of both their architectural and sculptural components, Jacqueline E. Jung reveals how these furnishings, far from being barricades or hindrances, were vital vehicles of communication and shapers of a community centred on Christian rituals and stories.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Part I. The screen as structure: 1. The choir screen as partition. 2. The choir screen as bridge. 3. The choir screen as frame -- Part II. Sculpture on the screen: 4. Women, men and the social order. 5. Jews, Christians and the question of the individual. 6. Nobles, peasants and the vernacular mode.
    Additional Edition: Print version: ISBN 9781107022959
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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