Umfang:
1 online resource (680 pages)
Ausgabe:
1st ed.
ISBN:
9781107057906
Inhalt:
Demonstrating not only how to write for orchestra but also how to understand and enjoy a score, this book is an invaluable guide for composers, arrangers, conductors, music theorists and music engineers. Numerous exercises with their solutions will appeal to readers who are interested in learning on their own
Anmerkung:
Intro -- Overview -- Contents -- Introduction -- The difference between instrumentation and orchestration -- A quick glance at the history of orchestration -- The significance of Viennese classicism in the technique of orchestration -- Teaching methods -- About this book -- About the classification of musical instruments -- Acknowledgements -- Part I Theory -- Chapter 1 String instruments -- General information -- Characteristics -- Instruments and their parts, bows and strings -- Violin -- Viola -- Cello -- Double bass -- Ranges -- Clefs -- Methods of sound production -- Fingering (stopping) techniques and positions -- Leaps -- Bowing -- General information -- Non-legato (separate bows) -- Legato (slurred bowing) -- Aesthetic factors -- Technical factors -- Types of bowing -- Slurred on-the-string bowings -- Legato -- Louré (Eng.: brush strokes, bow vibrato -- It.: portato, separato -- Fr: piqué) -- Slurred staccato -- Separate on-the-string bowings -- Détaché (Eng.: separate -- It.: sciolto) -- Martelé (martellato) -- Staccato -- Off-the-string bowings -- Spiccato (saltellato) -- Sautillé (balzato) -- Staccato volante (flying staccato) -- Jeté (Eng.: ricochet -- It.: gettato -- Ger.: Wurfbogen) -- Arpeggiando (bouncing arpeggios, bariolage) -- Multiple stops -- General information -- Writing multiple stops -- Double stops -- Triple stops -- Quadruple stops -- Fingering of multiple stops -- Further possibilities for multiple stops, only for the cello -- Arpeggio -- Division of the strings -- Special effects -- Vibrato -- Variants of vibrato in music of the twentieth century -- Trill -- Tremolo -- Bowed tremolo -- Unmeasured bowed tremolo -- Measured bowed tremolo -- Non-rhythmic bowed tremolo -- Fingered tremolo -- Unmeasured fingered tremolo -- Measured fingered tremolo -- Non-rhythmic fingered tremolo -- Undulating tremolo
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Classification by mouthpiece -- Classification by form of the vibrating column of air -- Woodwinds in the Classical and Romantic periods -- Flutes -- Flute -- Piccolo -- Alto flute -- Bass flute -- Flute in E -- Oboes -- Oboe -- English horn -- Oboe d'amore -- Heckelphone -- Baritone or bass oboe -- Soprano oboe in E -- Clarinets -- Clarinet -- Clarinet in E (piccolo clarinet) -- Bass clarinet -- Clarinets in D, F and A -- Bassett horn -- Alto clarinet in E -- Contralto clarinet -- Contrabass clarinet -- Bassoons -- Bassoon -- Contrabassoon -- Sarrusophone -- Saxophones -- Brass instruments -- Classification -- Classification by instrument families -- Classification by mouthpiece -- Classification according to transposition -- Classification according to the availability of fundamental tones -- Factors influencing the timbre of the brass instruments -- Mouthpiece -- Mensuration (Ger.: Mensur) -- Tubing -- Bell -- Brass instruments in the Classical and Romantic periods -- Richard Wagner: The Ring of the Nibelungen -- Richard Strauss: Also sprach Zarathustra -- Gustav Mahler: Symphony No. 6 in A minor -- Igor Stravinsky: The Rite of Spring -- Historical development of the valve instruments -- Natural instruments -- "Inventionshorn" -- Introduction of valved instruments into the orchestra -- Valved instruments -- Old and new notation -- Horns -- Modern (valve) horn -- Stopped notes (It.: chiuso -- Ger.: gestopft -- Fr.: bouché) -- Echo tones -- Brassy (It.: suonoi metallicoi -- Ger.: schmetternd -- Fr.: cuivré) -- Flugelhorns -- (Soprano) flugelhorn -- Alto horn -- Tenor horn -- Baritone horn -- Bass horn -- Cornets -- Cornet -- Piccolo cornets in E and D -- Trumpets -- Modern (valve) trumpet -- Trumpets in F and E -- Piccolo trumpets in D and E -- Piccolo trumpet in B -- Bass trumpet -- Trombones -- Descant or soprano trombone -- Alto trombone
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Double trill (colortimbral trill)
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Natural harmonics -- First partial -- Second partial -- Third partial -- Fourth partial -- Fifth partial -- Sixth partial -- Notation possibilities of natural harmonics -- Artificial harmonics -- Glissando with harmonic tones -- Variants of harmonic technique in music of the twentieth century -- Pizzicato harmonic tones -- Half-harmonics -- Alternation between a harmonic and the fundamental tone -- Timbre modulation -- A harmonic built on another harmonic tone -- A harmonic tone glissando col legno -- Highest possible harmonics -- Pulledbent harmonics -- Scordatura (abnormal tuning) -- Fingering effects without bowing -- Stopping tones without bowing -- Trills and tremolo without bowing -- Rolls on two neighboring strings -- Other special bowing effects -- Effects with bow pressure -- Bowing on unusual points on the instrument -- Effects with the hair of the bow -- Changes of bow as a special effect -- Arbitrary changing of bow during sustained or slurred notes -- Circular bow stroke -- Elliptical bow stroke -- Rotating bow -- Other effects with the bow -- Techniques with microintervals -- Vibrato with microintervals -- Glissando with microintervals -- Trills and tremolo with microintervals -- Scordatura with microintervals -- Cluster chords -- Percussive effects -- Notation with x-shaped noteheads -- Tablature notation -- Prepared instruments -- Amplification -- Historical string instruments -- Viol family -- Viola da braccio -- Descant viol -- Alto and tenor viols -- (Tenor-) Bass viol -- Special forms -- Viola da gamba -- Descant gamba -- Alto and tenor gambas -- (Tenor-) Bass gamba -- Special forms -- Lira family -- Lira da braccio -- Lira da gamba (lirone) -- Chapter 2 Wind instruments -- General information -- Range -- Transposition -- Woodwind instruments -- Classification -- Classification by instrument families
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On/over the fingerboard (It.: sul tasto or sulla tastiera -- Ger.: am Griffbrett -- Fr.: sur la touche) -- Flautando -- Near the fingerboard -- With little pressure -- On/at/near the bridge (It.: sul ponticello -- Ger.: am Steg -- Fr.: au chevalet) -- Near the bridge -- On the bridge (on the string) -- Behind the bridge -- Glissando -- Variants of glissando in music of the twentieth century -- Glissando and pizzicato -- Glissando and multiple stops -- Glissando and harmonics -- Undulating glissando -- Microtonal glissando -- Glissando on the string (glissando with the right hand) -- Glissando and col legno -- Glissando sul ponticello -- Glissando with constant change of bow -- Tuning peg glissando -- Portamento -- Col legno (Eng.: with the wood -- Ger.: mit dem Holz -- Fr.: avec le bois) -- Col legno battuto (struck with the wood) -- Col legno tratto (stroked with the wood) -- Variants of col legno in music of the twentieth century -- Col legno at various places on the instrument -- Col legno in combination with other effects -- Pizzicato -- Further types of pizzicato -- Left-hand pizzicato -- Pizzicato of multiple stops -- Bartók pizzicato -- Fingernail pizzicato -- Buzz pizzicato -- Pinch pizzicato -- Pizzicato glissando -- Pizzicato tremolando Banjo pizzicato -- Pizzicato tremolo -- Pizzicato bisbigliando -- Pizzicato "al mandolino" -- Pizzicato with plectrum -- Pizzicato with other objects -- Pizzicato and stopping -- "Hammer on" pizzicato -- Pizzicato effleuré -- Muted pizzicato -- Silent pizzicato -- Pulled pizzicato -- Other pizzicato techniques -- Pizzicato techniques in combination with other effects (examples) -- Muting (It.: con sordino -- Ger.: mit Dämpfer -- Fr.: avec sourdine) -- Special muting techniques in music of the twentieth century -- Muting with the left hand -- Dampening (Fr.: étouffer) -- Other techniques -- Harmonics
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Tenor trombone -- Bass trombone -- Tenor-bass trombone -- Contrabass trombone -- Valve trombone -- Methods of sound production on the trombone -- Glissando -- Tubas -- Baritone -- Tenor tuba in B (euphonium, bombardone) -- Bass tubas in F and E -- Contrabass tubas in C and B -- Double (contrabass) tuba -- Wagner tubas -- Keyed horn (keyed bugle) -- Ophicleide -- Sarrusophone -- Saxhorns (bugles à pistons) and bass tuba in C -- Saxotrombas -- Mellophone and mellophonium -- Helicone -- Sousaphone -- Cimbasso -- Notation of the wind instruments -- Some additional observations -- Methods of sound production and special effects -- Air consumption and breathing -- The importance of rests -- Circular breathing -- Alternation of identical instruments -- Breathing at the ends of phrases -- Register -- Dynamics -- Tonguing and articulation -- Flutter-tongue -- Variants of flutter-tongue in music of the twentieth century -- Vibrato -- Variants of vibrato in music of the twentieth century -- Trills -- Tremolo -- Glissando -- Variants of glissando -- Slide glissando -- Bent tone -- Overtone glissando -- Key glissando -- Irregular (broken) glissando -- Half-valve glissando -- Various jazz glissandi -- Mutes -- Horn -- Trumpet -- Trombone -- Tuba -- Mutes which alter the airstream -- Straight mute -- Cup mute -- Mutes which redirect the airstream -- Harmon mute -- Solotone mute -- Whispa mute -- Mutes which block the airstream -- Bucket mute -- Plunger -- Hat or derby -- Playing in the stand -- Variants of muting techniques in music of the twentieth century -- Harmonics -- Whistle (or whisper) tones -- Microintervals -- Altered fingerings -- Altering the embouchure -- Hand stopping -- Slide changes -- Tuning the instrument higher or lower -- Beats -- Multiphonics -- New fingering techniques -- Enharmonic trill -- Broken (unison) tremolo
Weitere Ausg.:
Print version Sevsay, Ertuğrul The Cambridge Guide to Orchestration New York : Cambridge University Press,c2013 ISBN 9781107025165
Sprache:
Englisch
Schlagwort(e):
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