UID:
almafu_9958089705002883
Format:
1 online resource (xiv, 311 pages) :
,
digital, PDF file(s).
Edition:
1st ed.
ISBN:
1-139-89248-7
,
1-107-70287-9
,
1-316-61970-2
,
1-107-59828-1
,
1-107-68993-7
,
1-107-70376-X
,
1-139-52403-8
,
1-107-66704-6
Series Statement:
Cambridge studies in Romanticism ; 104
Content:
The long-established association of Romanticism with youth has resulted in the early poems of the Lake Poets being considered the most significant. Tim Fulford challenges the tendency to overlook the later poetry of no longer youthful poets, which has had the result of neglecting the Wordsworth, Coleridge and Southey of the 1820s and leaving unexamined the three poets' rise to popularity in the 1830s and 1840s. He offers a fresh perspective on the Lake Poets as professional writers shaping long careers through new work as well as the republication of their early successes. The theme of lateness, incorporating revision, recollection, age and loss, is examined within contexts including gender, visual art, the commercial book market. Fulford investigates the Lake Poets' later poems for their impact now, while also exploring their historical effects in their own time and counting the costs of their omission from Romanticism.
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
The Lake Poets and the picturesque view: the visual turn in the late Southey -- Poetic hells and pacific edens: Southey's tale of Paraguay and Byron's The island -- Print and performance: Christabel: Kubla Khan, a vision; the pains of sleep -- The language of love in the late Coleridge: annual verse and collected poetry -- Naming the abyss: Wordsworth and the sound of power -- Picturing the prehistoric: Wordsworth's sightseeing.
,
English
Additional Edition:
ISBN 1-107-03397-7
Additional Edition:
ISBN 1-306-21216-2
Language:
English
Subjects:
English Studies
URL:
https://doi.org/10.1017/CBO9781139524032
URL:
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URL:
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