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  • 1
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almafu_9960117573502883
    Umfang: 1 online resource (xv, 395 pages) : , digital, PDF file(s).
    ISBN: 1-316-71474-8 , 1-316-71558-2 , 1-316-71572-8 , 1-107-65317-7 , 1-107-47721-2 , 1-316-71586-8 , 1-316-71642-2 , 1-316-71600-7
    Serie: Cambridge composer studies
    Inhalt: Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music.
    Anmerkung: Title from publisher's bibliographic system (viewed on 27 Oct 2016). , Cover ; Half-title page; Title page; Copyright page; Contents; List of Figures; List of Contributors; Preface; Acknowledgements; List of Abbreviations; Part I The Context of the Late 1940s and 1950s; 1 Pierre Boulez: Composer, Traveller, Correspondent; 2 Traces of an Apprenticeship: Pierre Boulez's Sonatine (1946/1949); 3 Schoenberg vive; Part II The Evolution of a Style; 4 'A score neither begins nor ends; at most it pretends to': Fragmentary Reflections on the Boulezian 'non finito' , 5 Serial Organisation and Beyond: Cross-Relations of Determinants in Le Marteau sans maître and the Dynamic Pitch-Algorithm of 'Constellation'6 'DU FOND D'UN NAUFRAGE': The Quarter-tone Compositions of Pierre Boulez; 7 'Alea' and the Concept of the 'Work in Progress'; 8 Casting New Light on Boulezian Serialism: Unpredictability and Free Choice in the Composition of Pli selon pli - portrait de Mallarmé; 9 Serial Processes, Agency and Improvisation ; 10 Listening to Doubles in Stereo; 11 Composing an Improvisation at the Beginning of the 1970s; Part III Reception Studies , 12 Pierre Boulez in London: the William Glock Years13 Tartan from Baden-Baden: Boulez at the 1965 Edinburgh International Festival; 14 Pierre Boulez and the Suspension of Narrative; Bibliography; Index
    Weitere Ausg.: ISBN 1-107-06265-9
    Weitere Ausg.: ISBN 1-316-71628-7
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Cambridge : Cambridge University Press
    UID:
    b3kat_BV043830327
    Umfang: xv, 395 Seiten , Notenbeispiele, Faksimiles
    ISBN: 9781107062658
    Inhalt: Pierre Boulez is acknowledged as one of the most important composers in contemporary musical life. This collection explores his works, influence, reception and legacy, shedding new light on Boulez's music and its historical and cultural contexts. In two sections that focus firstly on the context of the 1940s and 1950s and secondly on the development of the composer's style, the contributors address recurring themes such as Boulez's approach to the serial principle and the related issues of form and large-scale structure. Featuring excerpts from Boulez's correspondence with a range of his contemporaries here published for the first time, the book illuminates both Boulez's relationship with them and his thinking concerning the challenges which confronted both him and other leading figures of the European avant-garde. In the final section, three chapters examine Boulez's relationship with audiences in the United Kingdom, and the development of the appreciation of his music. - Edward Campbell is senior lecturer in music at the University of Aberdeen and a member of the University's Centre for Modern Thought. He specialises in contemporary European art music and aesthetics. He is the author of the books Boulez, Music and Philosophy (Cambridge, 2010) and Music after Deleuze (2013). Peter O'Hagan is a pianist specialising in the performance of contemporary music. He has performed Boulez's piano works at Festivals in the UK and abroad, and in 2008 gave the London premiere of the unpublished three-movement version of the Third Sonata at Wigmore Hall with the composer's authorisation. He has recently completed a monograph, Pierre Boulez and the Piano.
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-107-47721-6
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Boulez, Pierre 1925-2016 ; Komposition ; Serielle Musik
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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