UID:
almafu_9960117005102883
Umfang:
1 online resource (xx, 275 pages) :
,
digital, PDF file(s).
ISBN:
1-316-08307-1
,
1-316-05707-0
,
1-316-05470-5
,
1-322-06705-8
,
1-316-08071-4
,
1-316-07125-1
,
1-107-70557-6
,
1-316-07598-2
,
1-316-07835-3
,
1-316-07361-0
Inhalt:
Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century.
Anmerkung:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion.
,
English
Weitere Ausg.:
ISBN 1-107-64080-6
Weitere Ausg.:
ISBN 1-107-06769-3
Sprache:
Englisch
URL:
https://doi.org/10.1017/CBO9781107705579
URL:
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