UID:
almafu_9960117309302883
Umfang:
1 online resource (xii, 257 pages) :
,
digital, PDF file(s).
ISBN:
1-316-32308-0
,
1-316-30970-3
,
1-316-32642-X
,
1-316-32976-3
,
1-316-33310-8
,
1-316-31972-5
,
1-139-92379-X
,
1-316-28902-8
Serie:
Cambridge studies in the history of the People's Republic of China
Inhalt:
Charting their training, travels, and performances, this innovative study explores the role of the artists that roamed the Chinese countryside in support of Mao's communist revolution. DeMare traces the development of Mao's 'cultural army' from its genesis in Red Army propaganda teams to its full development as a largely civilian force composed of amateur and professional drama troupes in the early years of the PRC. Drawing from memoirs, artistic handbooks, and rare archival sources, Mao's Cultural Army uncovers the arduous and complex process of creating revolutionary dramas that would appeal to China's all-important rural audiences. The Communists strived for a disciplined cultural army to promote party policies, but audiences often shunned modern and didactic shows, and instead clamoured for traditional works. DeMare illustrates how drama troupes, caught between the party and their audiences, did their best to resist the ever growing reach of the PRC state.
Anmerkung:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
Preface -- Introduction: performing Mao's revolution -- The revolution will be dramatized: Red drama troupes -- Acting against Japan: drama troupes in North -- Playing soldiers and peasants: civil war and agrarian reform -- Staging rural revolution: land reform operas -- State agents and local actors: cultural work in the early PRC -- Peasants on stage: amateur actors in socialist China -- Tradition in conflict: professional drama troupes and the PRC state -- Conclusion.
,
English
Weitere Ausg.:
ISBN 1-107-43222-7
Weitere Ausg.:
ISBN 1-107-07632-3
Sprache:
Englisch
URL:
https://doi.org/10.1017/CBO9781139923798
URL:
Volltext
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URL:
Volltext
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