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  • 1
    Online-Ressource
    Online-Ressource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947413972602882
    Umfang: 1 online resource (xiv, 228 pages) : , digital, PDF file(s).
    ISBN: 9781316105597 (ebook)
    Inhalt: Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Machine generated contents note: 1. The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions.
    Weitere Ausg.: Print version: ISBN 9781107089594
    Sprache: Englisch
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York, NY : Cambridge Univ. Press
    UID:
    gbv_796484481
    Umfang: XIV, 228 S.
    ISBN: 9781107089594 , 9781107461154
    Inhalt: "Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction"--
    Anmerkung: Includes index , Machine generated contents note: 1. The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions.
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Anglistik
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Vagheit ; Moderne ; Philosophie ; Literatur ; Geschichte 1900-2000
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    New York :Cambridge Univ. Press,
    UID:
    almahu_BV042398705
    Umfang: xiv, 228 p.
    Ausgabe: 1. publ.
    ISBN: 978-1-107-08959-4 , 978-1-107-46115-4
    Inhalt: "Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction"..
    Anmerkung: Includes index
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen
    RVK:
    Schlagwort(e): Literatur ; Sprachphilosophie ; Vagheit
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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