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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947413755502882
    Format: 1 online resource (ix, 249 pages) : , digital, PDF file(s).
    ISBN: 9781316154939 (ebook)
    Content: Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years.
    Note: Title from publisher's bibliographic system (viewed on 24 Oct 2017). , Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory routes of black nationalism; 4. American studies in an age of extinction: Poe, Hawthorne, Katrina; 5. The slave narrative and the revolutionary tradition of African American autobiography; 6. 'Whiskey, blacking, and all': temperance and race in William Wells Brown's Clotel; 7. Beautiful warships: the transnational aesthetics of Melville's Israel Potter; 8. Antebellum Rome: transatlantic mirrors in Hawthorne's The Marble Faun; 9. Edward Everett Hale's and Sutton E. Griggs's Men without a Country; 10. Frederick Douglass in fiction: from Harriet Beecher Stowe to James McBride; Notes.
    Additional Edition: Print version: ISBN 9781107095069
    Language: English
    Subjects: American Studies
    RVK:
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_1008675687
    Format: 1 Online-Ressource (ix, 249 pages) , digital, PDF file(s)
    ISBN: 9781316154939
    Content: Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years
    Content: Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory routes of black nationalism; 4. American studies in an age of extinction: Poe, Hawthorne, Katrina; 5. The slave narrative and the revolutionary tradition of African American autobiography; 6. 'Whiskey, blacking, and all': temperance and race in William Wells Brown's Clotel; 7. Beautiful warships: the transnational aesthetics of Melville's Israel Potter; 8. Antebellum Rome: transatlantic mirrors in Hawthorne's The Marble Faun; 9. Edward Everett Hale's and Sutton E. Griggs's Men without a Country; 10. Frederick Douglass in fiction: from Harriet Beecher Stowe to James McBride; Notes
    Note: Title from publisher's bibliographic system (viewed on 24 Oct 2017)
    Additional Edition: ISBN 9781107095069
    Additional Edition: ISBN 9781107478008
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781107095069
    Language: English
    Subjects: American Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Camebridge, UK : Cambridge University Press
    UID:
    gbv_1000179443
    Format: ix, 249 Seiten
    ISBN: 9781107095069
    Content: "Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years"--
    Content: Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory routes of black nationalism; 4. American studies in an age of extinction: Poe, Hawthorne, Katrina; 5. The slave narrative and the revolutionary tradition of African American autobiography; 6. 'Whiskey, blacking, and all': temperance and race in William Wells Brown's Clotel; 7. Beautiful warships: the transnational aesthetics of Melville's Israel Potter; 8. Antebellum Rome: transatlantic mirrors in Hawthorne's The Marble Faun; 9. Edward Everett Hale's and Sutton E. Griggs's Men without a Country; 10. Frederick Douglass in fiction: from Harriet Beecher Stowe to James McBride; Notes
    Note: Includes bibliographical references and index
    Language: English
    Keywords: USA ; Literatur ; Internationalisierung ; Kulturkontakt ; Rasse ; Schwarze ; Geschichte 1800-1900 ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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