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  • 1
    UID:
    almafu_BV043695334
    Format: 1 Online-Ressource (xxi, 359 Seiten, 16 ungezählte Seiten Bildtafeln) : , Illustrationen.
    ISBN: 978-1-316-16284-2
    Content: "This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425-52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues."
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-09916-6
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1378-1455 Paradiestür Ghiberti, Lorenzo ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    almafu_BV042712446
    Format: xxi, 359 Seiten, 16 ungezählte Seiten Bildtafeln : , Illustrationen.
    Edition: First published
    ISBN: 978-1-107-09916-6 , 1-107-09916-1
    Content: "This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425-52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues"--
    Note: Includes bibliographical references and index , Machine generated contents note: 1. The Adam and Eve panel: the birth of creativity; 2. The Cain and Abel panel: fashioning thought and fate; 3. The Noah panel: architecture and politics emerge; 4. The Abraham and Isaac panel: from the competition to the Gates of Paradise; 5. The Jacob and Esau panel: perspective, vision, and memory; 6. The Joseph panel: speech acts in the piazza; 7. The Moses panel: sculpting the drama of nature; 8. The Joshua panel: the fate of art; 9. The David panel: Ghiberti, tragedian; 10. The Solomon and Queen of Sheba panel: a portrait of Ghiberti's Florence
    Language: English
    Subjects: Art History
    RVK:
    Keywords: 1378-1455 Paradiestür Ghiberti, Lorenzo
    Author information: Ghiberti, Lorenzo 1378-1455
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    almahu_9947413854402882
    Format: 1 online resource (xxi, 359 pages) : , digital, PDF file(s).
    ISBN: 9781316162842 (ebook)
    Content: This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425–52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues.
    Note: Title from publisher's bibliographic system (viewed on 01 Jan 2016). , Machine generated contents note: 1. The Adam and Eve panel: the birth of creativity; 2. The Cain and Abel panel: fashioning thought and fate; 3. The Noah panel: architecture and politics emerge; 4. The Abraham and Isaac panel: from the competition to the Gates of Paradise; 5. The Jacob and Esau panel: perspective, vision, and memory; 6. The Joseph panel: speech acts in the piazza; 7. The Moses panel: sculpting the drama of nature; 8. The Joshua panel: the fate of art; 9. The David panel: Ghiberti, tragedian; 10. The Solomon and Queen of Sheba panel: a portrait of Ghiberti's Florence.
    Additional Edition: Print version: ISBN 9781107099166
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    gbv_161965069X
    Format: xxi, 359 Seiten
    ISBN: 9781107099166
    Content: "This book examines the heretofore unsuspected complexity of Lorenzo Ghiberti's sculpted representations of Old Testament narratives in his Gates of Paradise (1425-52), the second set of doors he made for the Florence Baptistery and a masterpiece of Italian Renaissance sculpture. One of the most intellectually engaged and well-read artists of his age, Ghiberti found inspiration in ancient and medieval texts, many of which he and his contacts in Florence's humanist community shared, read, and discussed. He was fascinated by the science of vision, by the functioning of nature, and, above all, by the origins and history of art. These unusually well-defined intellectual interests, reflected in his famous Commentaries, shaped his approach in the Gates. Through the selection, imaginative interpretation, and arrangement of biblical episodes, Ghiberti fashioned multi-textured narratives that explore the human condition and express his ideas on a range of social, political, artistic, and philosophical issues"--
    Content: Machine generated contents note: 1. The Adam and Eve panel: the birth of creativity; 2. The Cain and Abel panel: fashioning thought and fate; 3. The Noah panel: architecture and politics emerge; 4. The Abraham and Isaac panel: from the competition to the Gates of Paradise; 5. The Jacob and Esau panel: perspective, vision, and memory; 6. The Joseph panel: speech acts in the piazza; 7. The Moses panel: sculpting the drama of nature; 8. The Joshua panel: the fate of art; 9. The David panel: Ghiberti, tragedian; 10. The Solomon and Queen of Sheba panel: a portrait of Ghiberti's Florence
    Note: Literaturverzeichnis: Seite 327-348 , Hier auch später erschienene, unveränderte Nachdrucke , Machine generated contents note: 1. The Adam and Eve panel: the birth of creativity; 2. The Cain and Abel panel: fashioning thought and fate; 3. The Noah panel: architecture and politics emerge; 4. The Abraham and Isaac panel: from the competition to the Gates of Paradise; 5. The Jacob and Esau panel: perspective, vision, and memory; 6. The Joseph panel: speech acts in the piazza; 7. The Moses panel: sculpting the drama of nature; 8. The Joshua panel: the fate of art; 9. The David panel: Ghiberti, tragedian; 10. The Solomon and Queen of Sheba panel: a portrait of Ghiberti's Florence.
    Additional Edition: Erscheint auch als Online-Ausgabe Bloch, Amy R., 1975 - Lorenzo Ghiberti's Gates of Paradise Cambridge : Cambridge University Press, 2016 ISBN 9781316162842
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Ghiberti, Lorenzo 1378-1455 Paradiestür ; Ghiberti, Lorenzo 1378-1455
    URL: Cover
    Author information: Ghiberti, Lorenzo 1378-1455
    Library Location Call Number Volume/Issue/Year Availability
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